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No More Separate Spheres!

A Next Wave American Studies Reader

Dados Bibliográficos

ID23141017
AutoresCaren Kaplan (0000-0002-8978-8169), Inderpal Grewal, Robyn Wiegman
EditoresCathy N Davidson, Jessamyn Hatcher
Ano2002
Páginas448
Data de publicação2002-01-01
Open AccessNão
TipoBOOK
PeriódicoNo More Separate Spheres! (SOURCE_BOOK)
EditoraDuke University Press (PUBLISHER • US)
DOI10.1215/9780822383437
OpenAlexW2781652490
Open LibraryOL29605129M
ISBN9780822383437
IdiomaEN
Citações recebidas29

No More Separate Spheres! challenges the limitations of thinking about American literature and culture within the narrow rubric of “male public” and “female private” spheres from the founders to the present. With provocative essays by an array of cutting-edge critics with diverse viewpoints, this collection examines the ways that the separate spheres binary has malingered unexamined in feminist criticism, American literary studies, and debates on the public sphere. It exemplifies new ways of analyzing gender, breaks through old paradigms, and offers a primer on feminist thinking for the twenty-first century. Using American literary studies as a way to talk about changing categories of analysis, these essays discuss the work of such major authors as Catharine Sedgwick, Herman Melville, Pauline E. Hopkins, Frederick Douglass, Catharine Beecher, Ralph Waldo Emerson, W. E. B. Du Bois, Sarah Orne Jewett, Nathaniel Hawthorne, Maria Ampara Ruiz de Burton, Ann Petry, Gwendolyn Brooks, Cynthia Kadohata, Chang Rae-Lee, and Samuel Delany. No More Separate Spheres! shows scholars and students different ways that gender can be approached and incorporated into literary interpretations. Feisty and provocative, it provides a forceful analysis of the limititations of any theory of gender that applies only to women, and urges suspicion of any argument that posits “woman” as a universal or uniform category. By bringing together essays from the influential special issue of American Literatur e of the same name, a number of classic essays, and several new pieces commissioned for this volume, No More Separate Spheres! will be an ideal teaching tool, providing a key supplementary text in the American literature classroom. Contributors. Jose F. Aranda, Lauren Berlant, Cathy N. Davidson, Judith Fetterley, Jessamyn Hatcher, Amy Kaplan, Dana D. Nelson, Christopher Newfield, You-me Park, Marjorie Pryse, Elizabeth Renker, Ryan Schneider, Melissa Solomon, Siobhan Somerville, Gayle Wald , Maurice Wallace

Aesthetics · American literature · Argument (complex analysis) · Art · Art history · Criticism · Epistemology · Ideal (ethics) · Ideology · Literary criticism · Literature · Political science · Public sphere · Separate spheres · Sociology · Viewpoints · Visual arts · American and British Literature Analysis · Law · Philosophy · 19th century · Feminism and literature · History and criticism · Sex role in literature · Women and literature

  • Parlors, Sofas, and Fine Cambrics”

    Open Access•David O Dowling, David Dowling•Leviathan•2009

  • Nineteenth-century feminist historiography

    April Haynes•American Nineteenth Century History•2025

  • Un(di)ing legacies

    Ruby C Tapia•Cultural Values•2001

  • Ideologies of Access and the Politics of Knowledge Production

    Open Access•Corinne A Kratz•Men and Masculinities•2008

  • I Just Express My Views & Leave Them to Work’

    Open Access•Liz Stanley, Helen Dampier•Gender & History•2012

  • Gender, aging, poverty and health

    Open Access•Netsayi Mudege, Netsayi N Mudege et al.•Journal of Aging Studies•2009

  • In His Own Home

    Andrea Levine•Women's studies quarterly•2011

  • Challenging Contemporary Narrative Theory

    Open Access•Andrea K Newlyn•Journal of American Culture•1999

  • Pauline Hopkins and the Death of the Tragic Mulatta

    Joann Pavletich•Callaloo•2015

  • Shelter Writing

    Susan Fraiman•New Literary History•2006

  • Against Proper Affective Objects

    Open Access•Rebecca Wanzo•American Quarterly•2009

  • Melville and the Architecture of Antebellum Masculinity

    Sarah Wilson•American Literature•2004

  • I—Pay—in Satin Cash—”

    Peter Stoneley•American Literature•2000

  • Indelicate Exposure”

    Jeanne Elders DeWaard•American Literature•2002

  • Anniversaries and “Whispering Ambitions”

    Houston A Baker, Priscilla Wald•American Literature•2004

  • White Book Clubs and African American Literature

    Kimberly Chabot Davis•LIT Literature Interpretation…•2008

  • The Native American Tradition

    Open Access•Sean Teuton, Sean Kicummah Teuton•The Cambridge history of the…•2011

  • The Cambridge History of the American Novel

    Open Access•Leonard Cassuto, Clare Virginia Eby et al.•The Cambridge history of the…•2011

  • Cooper and the idea of the Indian

    Open Access•Sandra M Gustafson•The Cambridge history of the…•2011

  • Gender and residential water use in Los Angeles

    Open Access•Jessica Cattelino, Kelsey Kim et al.•Environment and Planning E Nature…•2026

  • Oprah's Book Club and the politics of cross-racial empathy

    Open Access•Kimberly Chabot Davis•International Journal of Cultural…•2004

  • Sculpting Lincoln

    Melissa Dabakis•American Art•2008

  • The Finest Kind of Lady”

    Melissa J Strong•Women s Studies•2017

  • Sewing in Concord

    Peter Stoneley•Women s Studies•2006

  • Strategic Formalism

    C Levine•Victorian Studies•2006

  • Ritual Chores

    Open Access•Dana W Logan•Journal of the American Academy…•2021

  • De quelques synthèses récentes sur l’histoire des femmes européennes

    Mary Louise Roberts•Clio•2008

  • Depression is ordinary

    Open Access•Ann Cvetkovich•Feminist Theory•2012

  • The institutional origins of American literary history

    Michael Boyden•Comparative American Studies An…•2005

Obras citantes distintas29
Citações por ano1,07
Intervalo de citações1999 - 2026 (28)
Velocidade de citaçãocurrent
Altamente citadoNão
Tipos de citaçãoNeutras: 14
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