Dados Bibliográficos

AUTOR(ES) L. Zhu , ALAN PAGE FISKE , Cláudia Simão , Beate Seibt , Thomas W. Schubert , Janis H. Zickfeld , Patrícia Arriaga , Ravit Nussinson
AFILIAÇÃO(ÕES) Fudan University, Shanghai, China, University of California, Los Angeles, CA, USA, Universidade Católica Portuguesa, Lisboa, Portugal, Department of Sociology and Human Geography, University of Oslo, Oslo, Norway, Instituto Universitário de Lisboa (ISCTE-IUL), CIS-IUL, Lisboa, Portugal, University of Haifa, Israel
ANO 2018
TIPO Artigo
PERIÓDICO Journal of Cross-Cultural Psychology
ISSN 0022-0221
E-ISSN 1552-5422
EDITORA SAGE Publications
DOI 10.1177/0022022117746240
CITAÇÕES 1
ADICIONADO EM 2025-08-18
MD5 24b6d69493bad3ccc2fb55d68979647d

Resumo

Ethnographies, histories, and popular culture from many regions around the world suggest that marked moments of love, affection, solidarity, or identification everywhere evoke the same emotion. Based on these observations, we developed the kama muta model, in which we conceptualize what people in English often label being moved as a culturally implemented social-relational emotion responding to and regulating communal sharing relations. We hypothesize that experiencing or observing sudden intensification of communal sharing relationships universally tends to elicit this positive emotion, which we call kama muta. When sufficiently intense, kama muta is often accompanied by tears, goosebumps or chills, and feelings of warmth in the center of the chest. We tested this model in seven samples from the United States, Norway, China, Israel, and Portugal. Participants watched short heartwarming videos, and after each video reported the degree, if any, to which they were 'moved,' or a translation of this term, its valence, appraisals, sensations, and communal outcome. We confirmed that in each sample, indicators of increased communal sharing predicted kama muta; tears, goosebumps or chills, and warmth in the chest were associated sensations; and the emotion was experienced as predominantly positive, leading to feeling communal with the characters who evoked it.

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