The cultural non-participant
Critical logics and discursive subject identities
Bibliographic Data
| ID | 23152608 |
|---|---|
| Authors | Deborah Stevenson (0000-0002-8977-1818, Queen Margaret University, corresponding author), David Stevenson (0000-0001-9117-138X) |
| Year | 2019 |
| Volume | 9 |
| Issue | 1 |
| Pages | 50-64 |
| Publication date | 2019-05-07 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Arts and the Market (JOURNAL) |
| Journal identifiers | ISSN: 2056-4945 • E-ISSN: 2056-4953 |
| Publisher | Emerald (PUBLISHER) |
| DOI | 10.1108/aam-01-2019-0002 |
| OpenAlex | W2943620828 |
| Language | EN |
| Citations received | 14 |
| References cited | 31 |
Purpose The existence of so-called non-participants is a cultural policy problem in the UK and beyond. Yet, the very notion of a cultural non-participant seems nonsensical against the palpable evidence of lived experience. The purpose of this paper is to understand “who” a cultural non-participant is by first comprehending “what” the cultural non-participant is and why it exists. Design/methodology/approach Drawing on primary data generated in the form of 40 in-depth qualitative interviews, this paper employs a discursive methodology to explore the critical logics (Howarth, 2010) that underlie the problem representation (Bacchi, 2009) of cultural non-participation and in particular the discursive subject identity of the cultural non-participant. Findings Beginning with a discussion about how cultural non-participants are represented as socially deprived and hard to reach, the paper moves on to highlight how they are also presumed to lack knowledge and understanding about what they are rejecting. Their supposed flawed subjectivity is then contrasted with the desirable model of agency claimed by the cultural professionals who seek to change the cultural participation patterns of others. The paper concludes with a consideration of how the existence of the cultural non-participant subject identity limits the extent to which those labelled as such can meaningfully contribute to the field of cultural policy and obscures the extent to which such individuals are culturally disenfranchised. Research limitations/implications Because of the chosen research approach and the geographical limitations to the data generation, the research makes no claim to generalisability. Therefore, researchers are encouraged to test the discursive logics identified at alternative discursive sites. Practical implications This paper proposes a change in the language used by cultural professionals accompanied by changes in practice that abandoning the identity of the cultural non-participant would demand. Originality/value This paper challenges a taken for granted assumption that cultural non-participants exist “in the real”.
Aesthetics · Agency (philosophy) · Cultural analysis · Cultural identity · Epistemology · Identity (music) · Participant observation · Political science · Politics · Qualitative research · Representation (politics) · Social science · Sociology · Subject (documents) · Subjectivity · Anthropology · Computer Science · Critical Theory and Political Philosophy · Cultural Industries and Urban Development · Cultural Studies · Psychology · Social and Cultural Dynamics · Social Psychology
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Histories of Failures
Thinking About Failing
Cultural Policy is Local
Failures in Cultural Participation
Too Big to Fail?
Spectrums of Co-Creation
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Mattering on the margin
Cultural closure and social mobility
Failure seems to be the hardest word to say
Professional cultural institutions and the community? Lessons from the first community production of the Barcelona opera house
Negotiating between national and local policy on participation
Democratizing Culture or Cultural Democracy?
From hard to reach to how to reach
Power, discourse, and policy
Cultural diversity and free trade
Audience Development and Social Inclusion in Britain
Branding the design city
Cultural democracy
Audience development and its blind spot
Cultural participation in Europe
What is a non-user? An analysis of Danish surveys on cultural habits and participation
Reconceptualizing cultural participation in Europe
The village in the city
Culture and the Scottish Household Survey
Nonparticipation or different styles of participation? Alternative interpretations from Taking Part
What's the problem again? The problematisation of cultural participation in Scottish cultural policy
Co-creating theatre
Everyday participation and cultural value in place
Cultural policy research in the real world
Institutional Ecology, `Translations' and Boundary Objects
Consultation, for a Change? Engaging Users and Communities in the Policy Process
Understanding audience segmentation
Cultural omnivores or culturally homeless? Exploring the shifting cultural identities of the upwardly mobile
Modes of openness to cultural diversity
Jacques Rancière and the Subversion of Mastery
Norwegian cultural policy-A civilising mission? The Cultural Rucksack and abstract faith in the transforming powers of the arts
The Omnivore Thesis Revisited
| Unique citing works | 14 |
|---|---|
| Citations per year | 2,33 |
| Citation span | 2020 - 2026 (7) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 13 |