First Films of the Holocaust
Soviet Cinema and the Genocide of the Jews, 1938–1946
Bibliographic Data
| ID | 23153104 |
|---|---|
| Authors | Jeremy Hicks (0000-0001-8584-0292, corresponding author) |
| Year | 2012 |
| Pages | 312 |
| Publication date | 2012-11-20 |
| Open Access | No |
| Type | BOOK |
| Venue | First Films of the Holocaust (SOURCE_BOOK) |
| Publisher | University of Pittsburgh Press (PUBLISHER • US) |
| DOI | 10.2307/j.ctvsn3pm8 |
| OpenAlex | W2346117720 |
| ISBN | 9780822978084 |
| Open Library | OL34106270M |
| Language | EN |
| Citations received | 16 |
Art · The Holocaust · Theology · European history and politics · German History and Society · Italian Fascism and Post-war Society · Materials Science · Philosophy · Antisemitism in motion pictures · History · Holocaust, jewish (1939-1945), in motion pictures · Jews in motion pictures · Motion pictures · Soviet Union
The truth of reenactments
Mort, image et innovation
The cinematic city and the destruction of Lublin's Jews
The ‘grey zone’ in Holocaust film
Transcultural engagement with Polish memory of the Holocaust while watching Leszek Wosiewicz's Kornblumenblau
Nurturing the pain
On TikTok, everything needs to be playful, even the Holocaust!”
Digital visual history
Conflicting Memories, Conflicting Stories
Testimony in Place
Bulgaria as Rescuer? Film Footage of the March 1943 Deportation and Its Reception across the Iron Curtain
The Past and Its Presence
The Holocaust is present
Laughing to forget or to remember? Anne Frank memes and mediatization of Holocaust memory
The haunted Soviet landscape and nuclear melancholy in Andrei Tarkovsky and Alexander Gordon’s There Will Be No Leave Today (1959)
Seeing the Bigger Picture
| Citations per year | 1.6 |
|---|---|
| Citation span | 2016 - 2025 (10) |
| Highly cited | No |