Sor Juana Inés de la Cruz

The Tenth Muse and the Difficult Freedom to Be

Bibliographic Data

ID23154643
AuthorsCatherine Boyle (0000-0002-2261-7285, King's College London, corresponding author)
Year2016
Pages66-80
Publication date2016-01-31
Peer ReviewedYes
Open AccessYes
TypeCHAPTER
VenueHistory of Mexican Literature (SOURCE_BOOK)
PublisherCambridge University Press (PUBLISHER • US)
DOI10.1017/cbo9781316163207.005
OpenAlexW2496691310
ISBN9781316163207
LanguageEN
Citations received2
References cited24

The life of Sor Juana Inés de la Cruz (Juana de Asbaje y Ramírez de Santillana, 1651?–1695), the "Phoenix of America" – "única poetisa, musa décima," as she was declared in the first edition of her works, Inundación castálida (Madrid, 1689) – exerted a powerful seductive force during her life and continues to do so today. Octavio Paz, author of the major biography Sor Juana: Or, The Traps of Faith (1988, first published in Spanish in 1982), declared it "truly extraordinary that the most important writer of New Spain was a woman," for the colonial-era literary and intellectual world was that of the male elite, in which literature was "written by men to be read by men" (Paz, 1988: 45). The scope of Sor Juana's output was all-encompassing in its reach and prodigious in its volume: "[h]er remarkably extensive writings essayed and enacted most of the (male) poetic, dramatic, theological and even philosophical discoveries of her times in the metropolis, making her works a compendium of baroque culture in its diversity and syncretism" (Merrim, 1999: xi). The Sor Juana that has transcended the centuries is never still: she was a cloistered nun, therefore theoretically "dead to the world," but an international celebrity; she belonged to the colonial Creole intellectual elite, meaning that she existed between Old and New World cultures and structures of being and thinking; she was female, but her learning rendered her culturally and socially male; she was a religious who sought a path to God through learning, using the wisdom of the Virgin Mary as her model, while eschewing mysticism and asceticism. This chapter will explore the ways in which Sor Juana has been written into being, both by her own pen and by the pens of others, and how she fought to occupy a complex space between the public voice of the Creole intellectual and the cloistered silence of the nun.

Art · Art history · Biography · Colonialism · Creole language · Elite · Faith · Humanities · Literature · Poetry · Politics · Theology · Early Modern Women Writers · History · Latin American and Latino Studies · Law · Literature, Magical Realism, García Márquez · Philosophy

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