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When Malindy Sings

A Meditation on Black Women’s Vocality

Datos Bibliográficos

ID23159751
AutoresFarah Jasmine Griffin (autor de correspondencia)
Año2004
Páginas102-125
Fecha de publicación2004-12-31
Peer ReviewedSí
Open AccessNo
TipoCHAPTER
RevistaUptown Conversation (SOURCE_BOOK)
EditorialColumbia University Press (PUBLISHER • US)
DOI10.7312/omea12350-005
OpenAlexW2521994926
ISBN9780231508360
IdiomaEN
Citas recibidas14
Referencias citadas5

1. Marian Anderson singing at the Lincoln Memorial in 1939. 2. Whitney Houston singing “The Star-Spangled Banner” at the Super Bowl in 1992 during the Gulf War. 3. Aretha Franklin singing “The Star Spangled Banner” at the 1992 Democratic National Convention. 4. Santita Jackson singing “The Star Spangled Banner” at inaugural events for William Jefferson Clinton, January 20, 1997. 5. The anonymous black woman who sang at the first public memorial for the victims of the Oklahoma bombing. 6. Jessye Norman singing at an event at New York University Law School’s Tishman Auditorium in support of Clinton before his impeachment, December 14, 1998. (Toni Morrison speaking at the same event.) 7. The anonymous black woman singing “Amazing Grace” immediately following the Littleton, Colorado shootings or the Texas church shootings. 8. Chaka Khan singing at the close of the Republican National Convention in Philadelphia, August 2000. 9. Related but distinct: Mahalia Jackson at the 1963 March on Washington. 10. Related but Distinct: Fannie Lou Hamer at the 1964 Democratic National Convention in Atlantic City.

Art · Black women · Meditation · Sociology · Theology · Gender Studies · Philosophy · Race, History, and American Society

  • Staging Aural Fugitivity through Nineteenth-Century Freak Show Archives

    Open Access•Danielle Bainbridge•Performance Matters•2022

  • “Strange What Cosmopolites Music Makes of Us”

    Open Access•Lucy Caplan•Journal of the Society for…•2020

  • Matrices of ‘Love and Theft’

    Open Access•Mimi Haddon•twentieth-century music•2021

  • A Greater Compass of Voice

    Kristin Moriah•Theatre Research in Canada•2020

  • Joy and Love in Zora Neale Hurston and Dorothy Waring’s 1944 Black Feminist Musical Polk County

    Open Access•Eric M Glover•TDR/The Drama Review•2021

  • Gender, race and the ethical praxis of slide guitar

    Reginald Jackson•Women & Performance a journal of…•2007

  • This voice which is not one

    Daphne A Brooks•Women & Performance a journal of…•2010

  • Nina Simone's Triple Play

    Daphne A Brooks•Callaloo•2011

  • Don't Let Me Be Misunderstood

    Danielle C Heard•Callaloo•2012

  • Alberta Hunter, Musical Qualia of Blackness, and Black Women Working Together

    Jonathan A Gómez•Journal of the American…•2024

  • A queer black woman invented rock-and-roll”

    Gayle Wald•Feminist Media Studies•2020

  • All That You Can't Leave Behind

    Daphne A Brooks•Meridians•2007

  • All That You Can't Leave Behind

    Daphne A Brooks•Meridians•2020

  • Listening for the Interior in Hip-Hop and R&B Music

    Open Access•Tennille Nicole Allen, Antonia Randolph•Sociology of Race and Ethnicity•2020

  • The music of Black Americans

    Eileen Southern•The music of Black Americans•1983

  • The Power of Black Music

    Samuel A Floyd, Samuel A Floyd Jr•The Power of Black Music•1996

  • And so I Sing

    Daphne Duval Harrison, Rosalyn M Story•American Music•1993

  • The Lives of Jean Toomer

    R Baxter Miller, Cynthia Earl Kerman et al.•American Literature•1990

  • Miles and Me

    Douglas Henry Daniels, Quincy Troupe•African American Review•2001

Obras citantes distintas14
Citas por año0,74
Intervalo de citas2007 - 2024 (18)
Velocidad de citaciónrecent
Altamente citadoNo
Tipos de citaNeutras: 6
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