Masked Men
Masculinity and the Movies in the Fifties
Bibliographic Data
| ID | 23169225 |
|---|---|
| Authors | Steven Cohan, Steve Cohan (corresponding author) |
| Year | 1997 |
| Pages | 346 |
| Publication date | 1997-01-01 |
| Open Access | No |
| Type | BOOK |
| Venue | Masked men (SOURCE_BOOK) |
| Publisher | Indiana University Press (PUBLISHER • US) |
| DOI | 10.2979/2300.0 |
| OpenAlex | W4409447075 |
| ISBN | 9780253332974 |
| Open Library | OL991553M |
| Language | EN |
| Citations received | 14 |
Examines the connections between Hollywood films of the fifties and the redefinition of masculinity that occurred in U.S. culture after World War II.
Cinema and Media Studies · French Historical and Cultural Studies · Italian Fascism and Post-war Society · Psychology · 20th century · Film & Video · History · Hommes au cinéma · Masculinité · Masculinity · Men in motion pictures · Performing Arts · Reference · united states
Mediated Portrayals of Masculinities
Stanwyck, Crawford et Hayward
La masculinidad en Gigante (George Stevens, 1956)
Jim Copp's playhouse
Location shooting in “the Wild East”
Comedies of Beset Manhood
Rock Rebels and Delinquents
The Bachelor Dinner
Very Little Wrist Movement”
Gender Fantasies in American Western and Chinese Wuxia Films
The Hollywood Beach Party Genre and the Exotification of Youthful White Masculinity in Early 1960s America
How to Be a Man
Sounds of the Cold War
Masculinity as plasticity
| Citations per year | 0.58 |
|---|---|
| Citation span | 2002 - 2025 (24) |
| Highly cited | No |