Performing the Nation in Interwar Germany
Sport, Spectacle and Political Symbolism, 1926-36
Bibliographic Data
| ID | 23171931 |
|---|---|
| Authors | Nadine Rossol (corresponding author) |
| Year | 2010 |
| Publication date | 2010-01-01 |
| Open Access | Yes |
| Type | BOOK |
| Venue | Performing the Nation in Interwar Germany (SOURCE_BOOK) |
| Publisher | Palgrave Macmillan UK (PUBLISHER) |
| DOI | 10.1057/9780230274778 |
| OpenAlex | W2501149573 |
| Open Library | OL37120831M |
| ISBN | 9780230274778 |
| Language | EN |
| Citations received | 6 |
Performing the Nation in Interwar Germany argues that political aesthetics and mass spectacles were no invention of the Nazis but characterized the period from the mid-1920s to the mid-1930s. In so do
Aesthetics · Art · Economic history · Interwar period · Nazi Germany · Nazism · Period (music) · Political science · Politics · World War II · Central European national history · European history and politics · History · Italian Fascism and Post-war Society · Law
| Unique citing works | 6 |
|---|---|
| Citations per year | 0.38 |
| Citation span | 2010 - 2020 (11) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 6 |