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Curating the World

Bibliographic Data

ID23175384
AuthorsOkwui Enwezor, Rex Butler (0000-0002-9555-2996)
Year2008
Volume9
Issue1-2
Pages14-21
Publication date2008-01-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueAustralian and New Zealand Journal of Art (JOURNAL)
Journal identifiersISSN: 1443-4318 • E-ISSN: 2203-1871
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/14434318.2008.11432788
OpenAlexW1734425442
LanguageEN
Citations received1

The Nigerian-born Okwui Enwezor is undoubtedly one of the major curators of and thinkers about art in the world today. His 2002 exhibition DOCUMENTA 11—which took up such topics as democracy, truth and reconciliation, creolisation, and the fate of four African cities—has been endlessly discussed and imitated. A show not only about the idea of the world but also introducing a new ‘global’ style of art, it is widely understood to be one of the defining ‘global’ art exhibitions. Enwezor is also known for curating a series of ground-breaking exhibitions of African art and for founding and editing NKA: JOURNAL OF CONTEMPORARY AFRICAN ART, published by the African Studies Center at New York's Cornell University. Enwezor was kind enough to grant us an interview on 26 July 2008, when he was in Sydney as a guest of the Biennale of Sydney.

African art · Art · Art history · Contemporary art · Democracy · Exhibition · Literature · Media studies · Performance art · Political science · Project commissioning · Publishing · Sociology · Style (visual arts) · Visual arts · Cultural Industries and Urban Development · History · Law

  • Colonial Imaginary, Tropes of Disruption

    Okwui Enwezor, Octavio Zaya•Selected Writings, Volume 1•2025

Unique citing works1
Citations per year1
Citation span2025 - 2025 (1)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 1

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