The Cambridge Companion to Pop and Rock
Bibliographic Data
| ID | 23178697 |
|---|---|
| Editors | Simon Frith, Will Straw, John Street |
| Year | 2001 |
| Pages | 302 |
| Publication date | 2001-08-16 |
| Open Access | Yes |
| Type | BOOK |
| Venue | Cambridge companion to pop and rock (SOURCE_BOOK) |
| Publisher | Cambridge University Press (PUBLISHER • US) |
| DOI | 10.1017/ccol9780521553698 |
| OpenAlex | W49504448 |
| Open Library | OL22461568M |
| ISBN | 9780521553698 |
| Language | EN |
| Citations received | 66 |
This Companion maps the world of pop and rock, pinpointing the most significant moments in its history and presenting the key issues involved in understanding popular culture's most vital art form. Expert writers chart the changing patterns in the production and consumption of popular music, the emergence of a vast industry with a turnover of billions and the rise of global stars from Elvis to Public Enemy, Nirvana to the Spice Girls. They trace the way new technologies - from the amplifier to the internet - have changed the sounds and practices of pop and they analyse the way maverick entrepreneurs have given way to multimedia corporations. In particular they focus on the controversial issues concerning race and ethnicity, politics, gender and globalisation. Contains full profiles of a selection of figures from the pop and rock world.
Library science · Archaeology and Rock Art Studies · Computer Science · History · Music History and Culture · Pleistocene-Era Hominins and Archaeology · History and criticism · Popular music · Popular music, history and criticism · Rock music · Rock music, history and criticism
Populism and (Pop) Music
Popular Music, Technology, and the Changing Media Ecosystem
De Que Lado Você Samba? uma proposta de análise midiática da música popular massiva
Strategie uhistoryczniania filmowego świata przedstawionego i narracji filmowej w kinie historycznym. Analiza zjawiska na wybranych przykładach
RockStar tweets
In Faery Lands Forlorn
The utilisation of the performances of Neil Diamond for improving the classroom practices of educators
El discurso sobre la música popular contemporánea
El terrorismo en la música vasca
Más Peruano Que El Macchu Picchu” Creating Afro-Peruvian Rap
Beyoncé's Digital Stardom
Synthetica
The Mediation of Genre, Identity, and Difference in Contemporary (Popular) Music Streaming
The Use of and Commitment to Goods
Naughty Girls and Red Blooded Women Representations of Female Heterosexuality in Music Video
Glasgow as a live-music city
Audible Entanglements
Une histoire des recherches sur les musiques populaires au Royaume-Uni
Why Is Uncle Paintbrush so Funny? The Case of YouTube Translation of a Syrian Kurdish Wedding Song into Finnish
Playing for Change”
The cruel poetics of Morrissey
Hacia la (re)construcción del campo musical nacional. Una lectura en clave de rock
Tune in, fade out
Who Don't Care If The Money's No Good?”
Music Streaming, Festivals, and the Eventization of Music
The Eyes of the World Are Watching Now
And House Music Was Born
Research Note
The stadium in your bedroom
If you're gonna have a hit
How do you know he's not playing Pac-Man while he's supposed to be DJing
(Un)originality, hypertextuality and identity in Tiga's 'Sunglasses at Night
Making mirrors, making albums and making documentaries
Sound, text and identity in Korn's 'Hey Daddy
Slanted beats, enchanted communities
Rethinking the music industry
What Do Musicians Think of Digital Platforms
Asian Fury
How Do You Solve a Problem Like a Mainstream
Mr. President”
In Excess? Body Genres, “Bad” Music, and the Judgment of Audiences
The Ballad in American Popular Music
Being Lemmy Kilmister
Performatively Driven
Untangling pop
Contextualising the Subculture/Post-Subculture Debate
The Intersection of the Popular and the Sacred in Youth Cultures
Bowie musicology
Rock Journalists and Music Critics
Towards a Popular Music Criticism of Replenishment
Authenticity and Digital Popular Music Brands
Funky fresh dressed to impress”
Personality Traits, Music Preferences and Depression in Adolescence
Matt Brennan. 2017. When Genres Collide
Webtoons, Desperately Seeking Viewers
Cultural Uniqueness and Aesthetic Cosmopolitanism
Rise and follow Charlie
Top of the Tots
The social rhythm of the rock music festival
La transmission perdue et retrouvée
Torpedoing the authorship of popular music
History without royalty? Queen and the strata of the popular music canon
The power ballad
Decomposed
Les objets et les collectifs culturels acteurs de la diversité
English in Hong Kong Cantopop
| Unique citing works | 66 |
|---|---|
| Citations per year | 3 |
| Citation span | 2004 - 2026 (23) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 26 |