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Philosophy and Literature

Bibliographic Data

ID23196933
AuthorsAnthony Palmer (University of Southampton, corresponding author)
Year1990
Volume65
Issue252
Pages155-166
Publication date1990-04-01
Open AccessYes
TypeARTICLE
VenuePhilosophy (JOURNAL)
Journal identifiersISSN: 0031-8191 • E-ISSN: 1469-817X
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.1017/s0031819100064445
OpenAlexW2100228357
LanguageEN
Citations received2

My writing is simply a set of experiments in life—an endeavour to see what our thought and emotion may be capable of—what stores of motive, actual or hinted as possible, give promise of a better after which we may strive—what gains from past revelations and discipline we must strive to keep hold of as something more than shifting theory. I became more and more timid—with less daring to adopt any formula which does not get itself clothed for me in some human figure and individual experience, and perhaps that is a sign that if I help others to see at all it must be through the medium of art. George Eliot. In his inaugural lecture, given in Birkbeck College in 1987, Roger Scruton, who has done as much as anyone else in recent years to bring the importance of art in general and literature in particular to the attention of philosophers, contends that ‘philosophy severed from literary criticism is as monstrous a thing as literary criticism severed from philosophy’. The first, he argues, aims to be science: strives after theoretical truth which it can never attain; and results in banality clothed in pseudo-scientific technicalities: while the second is liable to find consolation in the kind of nonsense which pretends that in the study of literature we are confronted with nothing other than an author-less, unreadable, ‘text’. Philosophy, he maintains, ‘must return aesthetics to the place that Kant and Hegel made for it: a place at the centre of the subject, the paradigm of philosophy and the true test of all its claims’.

Aesthetics · Art · Consolation · Criticism · Epistemology · Hegelianism · Literature · Nothing · Philosophy and literature · Reflexive pronoun · Sign (mathematics) · Subject (documents) · Theology · Classical Philosophy and Thought · Ethics, Aesthetics, and Art · Philosophy · Philosophy, Ethics, and Existentialism

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    Patrick Fessenbecker•British Journal for the History…•2021

  • Charles Lamb's Art of Intimation

    David Duff, David G Duff•The Wordsworth Circle•2012

Citations per year0.14
Citation span2012 - 2021 (10)
Highly citedNo

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