Rhetoric, aesthetics, and the voice

In the eighth book of his Lives of the Philosophers, Diogenes Laertius relates an anecdote about Pythagoras in the light of which Pythagoras seems to have perfected if not the art of rhetoric, then at least its essence. The account is of a most unusual rite of passage. According to Diogenes, and the story is repeated by Iamblichus in his own Life of Pythagoras, Pythagoras used to lecture for long periods to his pupils, whether hidden behind a curtain or lecturing only at night in utter darkness (Diogenes Laertius 8.15; Iamblicus, Life of Pythagoras 72). “For five years [his disciples] would keep silent, merely listening to his speeches without seeing him, until they passed a test. From that point on they were allowed into his house and were able to see him” (Diogenes Laertius 8.10). How many speakers in antiquity (or at any time) could hold an audience captive like this for an evening, let alone for five years? To be sure, Pythagoras was not an orator and his lectures were not oratory. But he grasped a fact about rhetoric that would define it for centuries to come: rhetoric was the art of managing the voice.

Active listening · Aesthetics · Anecdote · Art · Linguistics · Literature · Rhetoric · Classical Philosophy and Thought · Communication · Philosophy · Psychology

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