A Ghost of a Chance
Invisibility and Elision in African American Art Historical Practice
Bibliographic Data
| ID | 23211546 |
|---|---|
| Authors | James Smalls (corresponding author) |
| Year | 1994 |
| Volume | 13 |
| Issue | 1 |
| Pages | 3-8 |
| Publication date | 1994-04-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Art Documentation: Journal of the Art Libraries Society of North America (JOURNAL) |
| Journal identifiers | ISSN: 0730-7187 • E-ISSN: 2161-9417 |
| Publisher | University of Chicago Press (PUBLISHER • US) |
| DOI | 10.1086/adx.13.1.27948606 |
| OpenAlex | W2499380210 |
| Language | EN |
| Citations received | 10 |
| References cited | 6 |
African american · Art · Art history · Documentation · Download · Ethnology · Invisibility · World Wide Web · Art, Politics, and Modernism · Computer Science · History · Race, History, and American Society
Parodying the Biotech Industry
A Means of Protection or Destruction
An Addendum to Pop
Marcel Duchamp, Copyright, and the Emergence of Art as Idea
Anisa̱lag̱a’s Claim to the “Seattle Pole”
Conclusion
Can Animals Own Copyright
Image Rights, Proprietorship, and Precedent in Cedric Dover’s American Negro Art (1960)
Copyright and Creative Practice
Many Hands Make Light-Fingered Work
| Unique citing works | 10 |
|---|---|
| Citations per year | 3,33 |
| Citation span | 2023 - 2023 (1) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 10 |