Schopenhauer, Nietzsche, and the Redemption of Life through Art
Bibliographic Data
| ID | 23211894 |
|---|---|
| Authors | Ivan Soll (corresponding author) |
| Year | 1998 |
| Pages | 79-115 |
| Publication date | 1998-10-22 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | CHAPTER |
| Venue | Willing and nothingness (SOURCE_BOOK) |
| Publisher | Oxford University PressOxford (PUBLISHER) |
| DOI | 10.1093/oso/9780198235903.003.0004 |
| OpenAlex | W4388389670 |
| ISBN | 9780198235903 |
| Language | EN |
| Citations received | 8 |
Towards the end of his working life, Nietzsche used the occasion of writing a new preface to his first book, The Birth of Tragedy, to distance himself publicly from past errors and allegiances. In this aptly titled ‘Attempt at a Self-Criticism’, he rejected his earlier adherence to the ideas of Kant and Schopenhauer and his worshipful admiration of Richard Wagner.
Admiration · Art · Criticism · Literature · Psychoanalysis · Tragedy (event) · German Literature and Culture Studies · Nietzsche, Schopenhauer, and Hegel · Philosophy · Philosophy, Ethics, and Existentialism · Psychology
Schopenhauer on the Inevitability of Unhappiness
Nietzsche and Schiller on Aesthetic Semblance
The will as joy-bringer
All Desire is Aversion
Nietzsche’s Psychology of the Self
Nietzsche and Schiller on Aesthetic Distance
Nietzsche on Aesthetics, Educators and Education
Landscapes of deliquescence in Michelangelo Antonioni's Red Desert
| Unique citing works | 8 |
|---|---|
| Citations per year | 0,35 |
| Citation span | 2003 - 2026 (24) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 8 |