An Organizational Structure of Indie Rock Musicians as Displayed by Facebook Usage
Bibliographic Data
| ID | 23212020 |
|---|---|
| Authors | Stephen Carradını (0000-0001-6805-6279, North Carolina State University, corresponding author), Stephen Carradini (North Carolina State University) |
| Year | 2018 |
| Volume | 48 |
| Issue | 2 |
| Pages | 151-174 |
| Publication date | 2018-04-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Journal of Technical Writing and Communication (JOURNAL) |
| Journal identifiers | ISSN: 0047-2816 • E-ISSN: 1541-3780 |
| Publisher | SAGE Publications (PUBLISHER • US) |
| DOI | 10.1177/0047281616667677 |
| OpenAlex | W2526889072 |
| Language | EN |
| Citations received | 5 |
| References cited | 52 |
Indie rock musicians are a group of extra-institutional individuals who play an often-vibrant role in urban economic development. The organizational structure that guides their professional activities has yet to be investigated. Interviews with 18 indie rock musicians provided a way to investigate organizational structure. They reported a build structure featuring the principles of audience development, slow growth, and unevenness. The constraints of the musician’s professional situation require long-term promotion of aesthetic products to a slowly growing audience in a saturated market that produces unevenness through power imbalances. This slow-growing structure contrasts with organizational structures that provide immediate benefits.
Advertising · Business · Economics · Indie film · Management · Media studies · Organizational structure · Political science · Power (physics) · Promotion (chess) · Public relations · Sociology · Cultural Industries and Urban Development · Management and Organizational Studies · Marketing · Music History and Culture
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Genre as social action
| Unique citing works | 5 |
|---|---|
| Citations per year | 1.25 |
| Citation span | 2022 - 2023 (2) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 3 |