Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Split Screens? Television in East Germany, 1952–89

Bibliographic Data

ID23213452
AuthorsHeather Gumbert (0000-0002-6084-7399, corresponding author)
Year2006
Pages146-164
Publication date2006-01-01
Peer ReviewedYes
Open AccessYes
TypeCHAPTER
VenueMass Media, Culture and Society in Twentieth-Century Germany (SOURCE_BOOK)
PublisherPalgrave Macmillan UK (PUBLISHER)
DOI10.1057/9780230800939_9
OpenAlexW2399703515
ISBN9780230800939
LanguageEN
Citations received3
References cited6

In June 2002 the 'Friends of the German Film Archive', a non-profit group and operator of the Arsenal movie house on Potsdamer Platz, held a symposium and film screening on the subject of East and West German television crime thrillers from the 1950s and early 1960s. The meeting was well attended both by media scholars and the wider public, some of whom remembered viewing the shows when they were first aired. The discussion, based for the most part on the recollections of television pioneers — including directors Hans-Joachim Hildebrandt and Jürgen Roland, and actors Hannelore Elsner and Helmut Lange — was a fascinating look at the early years of television, an era before recording technology when television workers produced television live. Panelists' comments ranged widely on issues common to both systems in the early years of television, from the pros and cons of available technologies, to the production schedule, the difficulties of acting for and broadcasting live television, and even the relative lack of respect the medium enjoyed among Germans in the 19505.1 But the harmonious and even jovial tone set early in the forum soon gave way to deeper tensions. One panelist referred to the crime thriller Blaulicht as merely the German Democratic Republic's (GDR) answer to the West German Stahlnetz series, a claim vigorously denied by Blaulicht's longtime director, Hans-Joachim Hildebrandt.KeywordsFederal RepublicCentral CommitteeGerman Democratic RepublicTelevision ServiceAesthetic ExperimentationThese keywords were added by machine and not by the authors. This process is experimental and the keywords may be updated as the learning algorithm improves.

Advertising · Art · German · Media studies · Political science · Public broadcasting · Sociology · European history and politics · History · Italian Fascism and Post-war Society · Law · Media Studies and Communication

  • From Media Systems to Media Cultures

    Sabina Mihelj, Simon Huxtable•From Media Systems to Media…•2018

  • Roundtable

    Arthur Asseraf•Media History•2022

  • The endeavour for political and professional freedom in Hungarian television during the 1956 October revolution

    Open Access•Péter Rajcsányi•Critical Studies in Television…•2023

  • Dictatorship As Experience

    Leonore Ansorg, Simone Barck et al.•Dictatorship As Experience•1999

  • Beyond media imperialism

    Joseph D Straubhaar, Joseph Straubhaar•Critical Studies in Mass…•1991

Unique citing works3
Citations per year0,38
Citation span2018 - 2023 (6)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 3

Tools

Open DOILibgen
Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae