Mimetic Devotion, Marian Exegesis and the Historical Sense of the Song of Songs

Bibliographic Data

ID23232219
AuthorsRachel Fulton, R C Fulton (corresponding author)
Year1996
Volume27
Pages85-116
Publication date1996-01-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueViator (JOURNAL)
Journal identifiersISSN: 0083-5897 • E-ISSN: 2031-0234
PublisherBrepols Publishers NV (PUBLISHER)
DOI10.1484/j.viator.2.301123
OpenAlexW2237983796
LanguageEN
Citations received5

"Mimetic Devotion, Marian Exegesis, and the Historical Sense of the Song of Songs." This article argues that the Marian commentaries on the Song of Songs by Honorius Augustudonensis, Rupert of Deutz, Philip of Harvengt, Alan of Lille, William of Newburgh, and Alexander Neckham ought to be considered among the principal indices of the new affective devotion to the Virgin Mary and Christ that developed in western Europe from the late eleventh century. With its origin in the liturgies for the feasts of the Assumption and the Nativity of the Virgin, rather than in the patristic tradition of ecclesiological and tropological exegesis, the Marian sense of the Song was identified with a historical level of interpretation according to which the commentator could transcend time and imagine himself in the sensible presence of the Virgin and Christ. Accordingly, the Song became a vehicle for the mimetic re-creation of the Virgin and Christ's most intimate conversations, and understood both as history and as prophecy, the text enabled the exegete to gaze upon Mary and her Son as if visibly present. This devotional mimesis encouraged the commentators not only to meditate on, but also to experience the evangelical past, rejoicing with Mary at the Annunciation and grieving with her under the cross.

Art · Art history · Eleventh · Exegesis · Interpretation (philosophy) · Literature · Historical, Literary, and Cultural Studies · History · Medieval Literature and History · Philosophy · Reformation and Early Modern Christianity

Tools

Open DOISci-Hub