Performances as a Curatorial Model: A Review of Le Musée Vivant de la Mode
By Olivier Saillard Fondation Cartier pour l’Art Contemporain, Paris, France, 06–21 March, 2026
Bibliographic Data
| ID | 23310627 |
|---|---|
| Authors | Marco Pecorari (0000-0002-2764-037X, corresponding author) |
| Year | 2026 |
| Pages | 1-6 |
| Publication date | 2026-07-27 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Fashion Theory (JOURNAL) |
| Journal identifiers | ISSN: 1362-704X • E-ISSN: 1751-7419 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/1362704x.2026.2696157 |
| OpenAlex | W7171435454 |
| Language | EN |
| References cited | 3 |
Olivier Saillard’s Le Musée Vivant de la Mode consisted of a series of daily performances that questioned what we collect and exhibit in fashion museums, consolidating all performances previously d...
Biography · Mode (computer interface) · Art History and Market Analysis · Decadence, Literature, and Society · Fashion and Cultural Textiles
| Highly cited | No |
|---|