La palmera medieval en la Huida a Egipto

This article examines the iconography of the palm tree in the Flight into Egypt as a meeting point between the symbolic tradition of the ancient world and its reformulation in medieval Christianity. In Greco-Roman antiquity, the palm was invested with meanings of permanence, strength, and indomitable verticality, closely connected to solar symbolism and the cult of Apollo. Medieval Christianity inherited this imagery and reshaped it through the apocryphal narrative of the Gospel of Pseudo-Matthew. In this text, the palm tree bends voluntarily before the Christ Child, not only to offer its fruit but as a gesture of recognition and obedience to the Incarnation. Through a comparative analysis of textual and visual sources, this study demonstrates that the presence of the palm in the Flight into Egypt is not a universal iconographic feature. Rather, it functions as a selective marker whose role extends beyond the simple provision of dates to the Virgin. Its depiction—explicit, veiled, or condensed—reflects conscious choices made by workshops and patrons. These choices allow certain medieval images to be reinterpreted beyond a strictly literal narrative reading. The palm tree thus emerges as a symbol of transformed continuity. It articulates classical heritage with a medieval theology of grace, providence, and the obedience of creation

Christianity · Cult · Gospel · Iconography · Narrative · Obedience · Plot (graphics) · Semiotics · Symbol (formal) · Byzantine Studies and History · Historical and Religious Studies of Rome · Historical Studies of Medieval Iberia