Ochre-differentiation through micro-Raman and micro-FTIR spectroscopies
Application on wall paintings at Meteora and Mount Athos, Greece
Datos Bibliográficos
| ID | 23367335 |
|---|---|
| Autores | Dimitrios Ν Bikiaris (0000-0001-8458-4952, Technological Educational Institute of Central Greece), Sister Daniilia (Ormylia Foundation), Sophia Sotiropoulou (0000-0001-9146-8474, Ormylia Foundation), O Katsimbiri (Ormylia Foundation), E Pavlidou (0000-0002-7490-6222, Aristotle University of Thessaloniki), A P Moutsatsou, Άννα Μουτσάτσου (0000-0003-3817-7680, National Technical University of Athens), Yannis Chryssoulakis (National Technical University of Athens, autor de correspondencia) |
| Año | 2000 |
| Volumen | 56 |
| Número | 1 |
| Páginas | 3-18 |
| Fecha de publicación | 2000-01-01 |
| Peer Reviewed | Sí |
| Open Access | Sí |
| Tipo | ARTICLE |
| Revista | Spectrochimica Acta Part A: Molecular and Biomolecular Spectroscopy (JOURNAL) |
| Identificadores de la revista | ISSN: 1386-1425 • E-ISSN: 1873-3557 |
| Editorial | Elsevier BV (PUBLISHER) |
| DOI | 10.1016/s1386-1425(99)00134-1 |
| PMID | 10728852 |
| OpenAlex | W2062070274 |
| Idioma | EN |
| Citas recibidas | 84 |
| Referencias citadas | 33 |
Analytical Chemistry (journal) · Art · Astrobiology · Byzantine architecture · Composite material · Goethite · Hematite · Limonite · Mineralogy · Optics · Painting · Palette (painting) · Physics · Pigment · Raman spectroscopy · Scanning electron microscope · Visual arts · Building materials and conservation · Chemistry · Cultural Heritage Materials Analysis · Environmental Chemistry · Materials Science · Mineralogy and Gemology Studies
Semantic-driven assisted selection of measurement points for non-invasive analysis of artworks
Integrated Multi-Analytical Study of the Bronze Vessel From Mălăiești Roman Fort
Layered pigments and painting technology of the Roman wall paintings of Caesarea Maritima
Technological study of Middle Bronze Age painted plaster fragments from the Canaanite Palace of Tel Kabri, Israel - materials and painting techniques
Comparative Study of Egyptian Blue Fragments From Egypt and Tunisia
Studying wall paintings in Berati Castle (Albania)
Characterising the unique polychrome sinopia under the Lod Mosaic, Israel
Arianna's Palette
Reflection infrared spectroscopy for the non-invasive in situ study of artists’ pigments
Clay and iron oxide pigments in the history of painting
Heated goethite and natural hematite
The colour of ochres explained by their composition
Investigating polychromy on the Parthenon’s west metopes
Colour in context. Pigments and other coloured residues from the Early-Middle Holocene site of Takarkori (SW Libya)
Ochres as earth pigments in Hellenistic and Roman polychromy
Looking at the Modern to Better Understand the Ancient
Multianalytical Study of a Painting on Copper
A Comprehensive and Systematic Diagnostic Campaign for a New Acquisition of Contemporary Art—The Case of Natura Morta by Andreina Rosa (1924–2019) at the International Gallery of Modern Art Ca’ Pesaro, Venice
Archeometrical Characterization of Rock Art Pigments from Puerto Roque Open-Air Rock Art Shelter (Valencia De Alcantara, Extremadura, Spain)
Unexpected Findings in 16th Century Wall Paintings
Disclosing Colors and Pigments on Archaeological Objects from the Aga Khan Necropolis (West Aswan Egypt) through On-Site Analytical Methods
New Evidence of Traditional Japanese Dyeing Techniques
New Insights into the Materials and Painting Techniques of Ancient Wall Paintings from the Roman Province of Dacia
Necessity and Use of a Multilayer Test Object Based on an Anonymous 19th Century Copy of a Painting by Ivan Konstantinovich Aivazovsky (1817–1900)
Archaeological analyses of pigmenting materials, a case study on Initial Late Holocene hunter-gatherers from North-Central Chile
Execution technique and pigment characteristics of Byzantine wall paintings of Anaia Church in Western Anatolia
Cooking traces on Copper Age pottery from central Italy
Μ-Raman spectroscopy of prehistoric paintings from the El Reno cave (Valdesotos, Guadalajara, Spain)
MA-XRF investigation of a 17th century icon by the renowned painter Theodoros Poulakis
Chemical analyses of Roman wall paintings recently found in Paphos, Cyprus
Multi-analytical study of Roman frescoes from Villa dei Quintili (Rome, Italy)
Earth mortars in the “Castro de Santa Trega” (A Guarda, Pontevedra, Spain)
Pigments, binders, and ages of rock art at Viuda Quenzana, Santa Cruz, Patagonia (Argentina)
Investigation of painting technique of Coptic icon by integrated analytical methods
Chemical and mineralogical characteristics of the pigments of archaeological rupestrian paintings from the Salão dos Índios site, in Piauí, Brazil
Archaeometric Analysis of Pigments from the Tomb of Nakht-Djehuty (TT189), El-Qurna Necropolis, Upper Egypt
Blombos Cave
Production technology of late Roman decorated tableware from the Vesuvius environs
Identification of black pigments on prehistoric Southwest American potsherds by infrared and Raman microscopy
Analysis of the red ochre of the El Mirón burial (Ramales de la Victoria, Cantabria, Spain)
The Byzantine wall paintings from the Protaton Church on Mount Athos, Greece
Raman microprobe analysis of stucco samples from the buildings of Maya Classic Copan
Raman microscopy in archaeological science
What were the colors of the Parthenon? Investigation of the entablature's cornice blocks
Identification of pigments on Byzantine wall paintings from Crete (14th century AD) using non-invasive Fiber Optics Diffuse Reflectance Spectroscopy (Fors)
Decorated prehistoric pottery from Castello di Annone (Piedmont, Italy)
The white colour in Etruscan polychromes on terracotta
Characterization of the Chemical Nature of the Black Ink in the Manuscript of The Gospel of Jesus's Wife through Micro-Raman Spectroscopy
Ochre and other pigments from the 7th millennium BC
Analysis of the ruined murals from the Resurrection Church of the Derevyanitsky Monastery (Veliky Novgorod, Russia)
Preliminary investigation of the painting technique of Thalia Flora-Karavia (1871–1960)
Analysis of cracking behavior of murals in Mogao Grottoes under environmental humidity change
XMapsLab
Tracing the evolution of artists' materials and manufacturers' choices in painted magic lantern slides
The use and production of black Mn‐based pigments for painting late (c. 900–1450) and Inca (c. 1450–1600) periods ceramic vessels in Northwestern Argentina
Polished Decorative Fields in Thracian Fresco Tombs from the Hellenistic period - Archaeometrical Research
Chromatic Signatures and Comprehensive Archaeometric Investigations of Prehistoric Ochre from Southern Romania
Characterisation of pigments and technical features of Byzantine mural paintings from eastern Crete (Lassithi)
Archaeometrical investigation of figurines from the ancient city of Akanthos in Chalkidice
Semantic-augmented analysis of spectral data of artworks
A Review on Historical Earth Pigments Used in India’s Wall Paintings
The fresco wall painting techniques in the Mediterranean area from Antiquity to the present
Elemental fingerprinting of Kenya Rift Valley ochre deposits for provenance studies of rock art and archaeological pigments
Geochemical analysis of the painted panels at the “Genyornis” rock art site, Arnhem Land, Australia
In Search of Etruscan Colours
A Spectroscopic Investigation of Pigment and Ceramic Samples From Copán, Honduras
Evidence for the Use of Egyptian Blue in an 11th Century Mural Altarpiece by Sem–eds, Ftir and Sr XRD (Church of Sant Pere, Terrassa, Spain)
Templar Joint Repointings
Analysis of Roman Wall Paintings From the Thermae of ‘ Iulia Concordia ’
Unveiling the Use of Creta in Roman Plasters
Probing the birthplace of the “Epirus/NW Greece School” of painting
Probing the birthplace of the "Epirus school" of painting
Micro-Raman spectroscopy and complementary techniques applied for the analysis of rock art paintings at the archaeological locality La Angostura, lower valley of Chubut River (Patagonia, Argentina)
The potters of Kom Dahab
Multi-purpose fossils? The reappraisal of an Elephas antiquus molar from El Pirulejo (Magdalenian; Córdoba, Spain)
The Servilia tomb
Pigments-Iron-based red, yellow, and brown ochres
A post-Byzantine icon of St Nicholas painted on a leather support. Microanalysis and characterisation of technique
Evaluation of interpolation methods for generating maps in cultural heritage chemical applications
Laser cleaning of terracotta decorations of the portal of Palos of the Cathedral of Seville
Two centuries of painted plasters from the Lateran suburban villa (Rome)
Characterisation of 15th century red and black pastes used for wall decoration in the Qijmas El-Eshaqi mosque (Cairo, Egypt)
Non-invasive identification of red and yellow oxide and sulfide pigments in wall-paintings with portable ER-FTIR spectroscopy
The palette of Pio Collivadino (1869-1945) throughout his career
| Obras citantes distintas | 84 |
|---|---|
| Citas por año | 3,65 |
| Intervalo de citas | 2003 - 2026 (24) |
| Velocidad de citación | current |
| Altamente citado | No |
| Tipos de cita | Neutras: 76 |