While America Watches
Televising the Holocaust
Bibliographic Data
| ID | 23389753 |
|---|---|
| Authors | Jeffrey Shandler (corresponding author) |
| Year | 1999 |
| Pages | 316 |
| Publication date | 1999-02-04 |
| Open Access | No |
| Type | BOOK |
| Venue | While America watches (SOURCE_BOOK) |
| Publisher | Oxford University PressNew York, NY (PUBLISHER) |
| DOI | 10.1093/oso/9780195119350.001.0001 |
| OpenAlex | W4388128297 |
| Open Library | OL345366M |
| ISBN | 9780195119350 |
| Language | EN |
| Citations received | 52 |
The Holocaust holds a unique place in American public culture, and, as Jeffrey Shandler argues in While America Watches, it is television, more than any other medium, that has brought the Holocaust into our homes, our hearts, and our minds. Much has been written about Holocaust film and literature, and yet the medium that brings the subject to most people--television--has been largeley neglected. Now Shandler provides the first account of how television has familiarized the American people with the Holocaust. He starts with wartime newsreels of liberated concentration camps, showing how they set the moral tone for viewing scenes of genocide, and then moves to television to explain how the Holocaust and the Holocaust survivor have gained stature as moral symbols in American culture. From early teleplays to coverage of the Eichmann trial and the Holocaust miniseries, as well as documentaries, popular series such as All in the Family and Star Trek, and news reports of recent interethnic violence in Bosnia, Shandler offers an enlightening tour of television history. Shandler also examines the many controversies that televised presentations of the Holocaust have sparked, demonstrating how their impact extends well beyond the broadcasts themselves. While America Watches is sure to continue this discussion--and possibly the controversies--among many readers.
Art · Genocide · Media studies · Political science · Popular culture · Sociology · Subject (documents) · The Holocaust · Computer Science · History · Italian Fascism and Post-war Society · Law · Memory, Trauma, and Commemoration · Holocaust, Jewish (1939-1945) · Holocaust, Jewish (1939-1945), in television · Holocaust, Jewish (1939-1945), on television · Television broadcasting · united states
The ironic hero of Virginia Tech
The Violin as Archive
Holocaust Impiety in 21st Century Graphic Novels
Dynamics of memory
Beyond the encyclopedia
Legitimizing fascism through the Holocaust? The reception of the miniseries Perlasca
Like daughter, like grandson
The Holocaust in the National Curriculum after 25 years
The Prisoner (1952) and the Perpetrator in Early Post-war British Television
Not living, but going”
The Holocaust trope
Private photos and Holocaust testimony
Remembering John/Ivan Demjanjuk
Does Judgment at Nuremberg Accurately Depict the Nazi War Crimes Trial
Buffy the Vampire Slayer
Shadows of War and Holocaust
The Illegals
Teaching the Holocaust in the USA
Identity, memory and cosmopolitanism
From Dynasty to Songs of Praise
Genealogy of a category mistake
Hollywood's Middle Ages
Skeletal figures – Presence and the unrepresentable in images of catastrophe
Language and Public Memorial
Does Gender Matter? Filmic Representations of the Liberated Nazi Concentration Camps, 1945-46
Prime Time Commemoration
A ‘Curtain of Ignorance’
Auschwitz and the camera
Broadcast to mark Holocaust Memorial Day’
The right to tell the (right) story
Signs of the Holocaust
Tuned to the nation’s mood
Critical laughter
The sound-track of memory
It Ain't Necessarily So
Revisioning Obedience
Working Through the Holocaust Blockbuster
The memory imperative as a narrative template
Holocaust, Hurban, and Haredization
As Far as They Knew I Came from France
The Cognitive Aspects of Collective Memory
Between Auschwitz and Algeria
Les deux scènes du procès Eichmann
Septembre Guerre et télévision au XXIesiècle
New Memory
RevisitingA Town Like Alice
Constructing Memory through Television in Argentina
To Invent as Presumptuously as Real Life
Actes d'images comme témoignage et comme jugement
To Invent as Presumptuously as Real Life
Severed Voices
Rethinking Historical Trauma
| Unique citing works | 52 |
|---|---|
| Citations per year | 2 |
| Citation span | 2000 - 2026 (27) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 52 |