Thinking Photography
Dados Bibliográficos
| ID | 23395083 |
|---|---|
| Editores | Victor Burgin |
| Ano | 1982 |
| Data de publicação | 1982-01-01 |
| Open Access | Sim |
| Tipo | BOOK |
| Periódico | Thinking Photography (SOURCE_BOOK) |
| Editora | Macmillan Education UK (PUBLISHER) |
| DOI | 10.1007/978-1-349-16716-6 |
| OpenAlex | W4255994766 |
| Open Library | OL35948023M |
| ISBN | 9781349167166 |
| Idioma | EN |
| Citações recebidas | 83 |
Communications has been defined as the conveying or exchanging of information and ideas.This wide definition is taken as the starting-point for this series of books, which are not bound by conventional academic divisions.The series aims to document or analyse a broad range of cultural forms and ideas.It encompasses works from areas as esoteric as linguistics and as exoteric as television.The language of communication may be the written word or the moving picture, the static icon or the living gesture.These means of communicating can at their best blossom into and form an essential part of the other mysterious concept, culture.There is no sharp or intended split in the series between communication and culture.On one definition, culture refers to the organisation of experience shared by members of a community, a process which includes the standards and values for judging or perceiving, for predicting and acting.In this sense, creative communication can make for a better and livelier culture.The series reaches towards the widest possible audience.Some of the works concern themselves with activities as general as play and games; others offer a narrower focus, such as the ways of understanding the visual image.It is hoped that some moves in the transformation of the artful and the scientific can be achieved, and that both can begin to be understood by a wider and more comprehending community.Some of these books are written by practitioners -broadcasters, journalists and artists; others come from critics, scholars, scientists and historians.The series has an ancient and laudable, though perhaps untenable, aim -an aim as old as the Greeks and as new as holography; it aspires to help heal the split between cultures, between the practitioners and the thinkers, between science and aI't, between the academy and life.
Art · Photography · Visual arts · Photography and Visual Culture · 21.40 photographic art: general · Artistic Photography · Essays · Fotografie · Kunstbeschouwing · Kunsttheorie · Photographie
Image aforethought
Having Her Cheesecake and Eating It
Video Game Photography and Spectator Gaming
Reading and Writing the Passions in Duchenne de Boulogne's Mécanisme de la physionomie humaine
News and the word-image problematic
Un(di)ing legacies
Farming on Facebook, Camera-less Food Photography and a New Indian Pastoral
Passivity to Performativity of Sacred Mountains of Je Tsongkhapa and Mahakala (Gonbo) in the Lungnak Valley of Ladakh
Caribbean Memory as “Mindful” Vandalism
An Online Photovoice Study Designed by Researchers from Art and Social Work to Better Understand the Experience of Chronic Pain by Women of Color
Small commodities, big infrastructure
Researching Visual Representations of Climate Change
Paranoid pleasure
Still images and collective memory
Family Photography and Persecuted Communities
Globalisation and the Art Photography of Joel Sternfeld
The Historical Antecedents of Contemporary Photography Education
The World’s Most Amazing 100% Awesome Photography Theory
Traumatic Images
Knowing Photographs Now
Archival Value
Joint spectatorship
Introduction
Photography, Higher Education and the Skills Agenda
School Photos in Liquid Time
On Photographic Violence
The Hackney Flashers
Interactive peace imagery – integrating visual research and peace education
Reflections Essay
The Event of Seeing
Capturing the worlds of multiple sclerosis
She sits all day in the attitude depicted in the photo’
Mundane Myths
The Bigger Picture
Death, lamentation and the photographic representation of the Other during the Second Iraq War in Greek newspapers
Visual frame analysis of the Ukip leave campaigns ‘Turkish migrant’ Brexit visuals
Bloody Jumpers
On The Future of Photographic Representation in Anthropology Lessons from the Practice of Community Photography in Britain
The Photograph as an Intersection of Gazes
Bring on the little Japanese girls
There is nothing less spectacular than a pestilence’
Visualizing Biodiversity
Fantasy, photography, and the marketplace
A Feminist Perspective on Age
Organization as hypertext
Decolonization and Nonalignment
Photography between Desire and Grief
The Feeling of Photography, the Feeling of Kinship
Civil Contract of Photography in India
Translanguaging and Autobiogeography as Decolonial Strategies for Writing Life Narratives within Displacement
Camera as Object and Process
Multiculturalism and Museums
Order and otherness in a photographic shot
Camera as Witness, Image as Sign
From Self-love to the Picket Line
Photographs as narratives in social science research
A painful labour
Geomedia
The Power-ful Art of Qajar Photography
Mirando al mar. Iconografías de resiliencia y superación en la covid-19
Photography and the world of bullfighting
Factores epistemológicos y contextuales en la genealogía de la teoría de la fotografía en la segunda mitad del siglo XX
Representation Systems of Photographic Critics
The next best thing to being there
The Diaries and Photographs of Hannah Cullwick
AI photography and composite memory
Photography and Memory in the age of AI
Time, memory retrieval, and speculative storytelling
Detroit imagined
The faceless and vulnerable other – the visual portrayal of older people on German online news sites within the context of the Covid-19 pandemic
Visual Expressiveness' in Camera-Based Research and Communication
The Azentún Photography Workshop
Putting it into Practice
Is that okay, teacher?' The camera as a tool to challenge power relations in a participatory action research classroom
Practices and Flows of Digital Photography
Charles Sheeler's imprecise precisionism
Mind the information gap! Constructing counter-narratives for urban planning in Detroit's photobooks
Pity Peggy Sue
Automatism, Causality and Realism
Shooting your voice
For a Politics of Love and Rescue
A Picturesque Modernity in 1920s Peru and Argentina
Performing the Visual North
| Obras citantes distintas | 83 |
|---|---|
| Citações por ano | 1,98 |
| Intervalo de citações | 1984 - 2026 (43) |
| Velocidade de citação | current |
| Altamente citado | Não |
| Tipos de citação | Neutras: 82 |