The Emergence of Cinematic Time
Modernity, Contingency, the Archive
Datos Bibliográficos
| ID | 23398336 |
|---|---|
| Autores | Mary Ann Doane (autor de correspondencia) |
| Año | 2002 |
| Páginas | 304 |
| Fecha de publicación | 2002-12-27 |
| Open Access | Sí |
| Tipo | BOOK |
| Revista | Emergence of Cinematic Time (SOURCE_BOOK) |
| Editorial | Harvard University Press (PUBLISHER • US) |
| DOI | 10.2307/j.ctv1pnc1jq |
| OpenAlex | W4249236028 |
| Open Library | OL34182850M |
| ISBN | 9780674263024 |
| Idioma | EN |
| Citas recibidas | 74 |
The Data-Driven Art of Moving Bodies
O Testemunho, o Instante e a Memória. Espaços de corte e de interrupção em Video Letter (1982), de Shuji Terayama e Shuntaro Tanikawa
As imagens tóxicas, as imagens pobres e o corpo confinado
Semiótica Audiovisual Y Neurociencia Cognitiva. El Proyecto De La Neurofilmología Y La Cuestión De La Experiencia Temporal
Sowing the sea
Sacha Guitry, National Portraiture and the Artist's Hand
Ad infinitum
The Colonial Regime of Knowledge
Medien der Forensik
The birth of motion capture
Expanding the field of practice-based-research
Slow World Cinemas' Rhizomatic Flux in Carlos Reygadas's Japón
Murmur, Hum, Shout, Crash
The standardized, mechanized, and annotated body. Fragmentation as cultural technique in recent video works by Kajsa Dahlberg, Kalle Brolin, and Hanni Kamaly
Poor digitality and Hsu Che-Yu and Chen Wan-Yin’s experimental documentaries
Achronologies, Materiality and Mechanics of Time in Optical Moving Image Systems
Scalar vicissitudes and minute creatures
Eternity Descending into Time
When Sympathy Hesitates
Narrative Difference
Mary Ann Doane (2021) Bigger Than Life
René Spitz’s Empty Frames
Colour, movement and modernity in Sonia Delaunay’s (1926) fashion film
Cinehistory and Experiments on Film
Paper, glass, algorithm
Textured Cuts
Moving bodies
‘Beauty of Chance’
Mexico
Carcasses, birdsongs and space dogs
Metaphysics of the sequence shot
Look Again
Shifting scenes of colouration and illumination
From ‘the horse in motion’ to ‘man in motion’
Transience, absurdity, dreams and other illusions
Reading the cinematograph
Reflections to projections
Seeing time
Hong Kong and Berlin
Urban love, celluloid illusion
ECS-Ecrea Early Career Scholar Prize winner - An astrological genealogy of artificial intelligence
Doing dead time for the sovereign
Intertemporality in Spencer (2021)
Cutting the Fashion Body
Some Trick of the Moonlight”
Remembering the other, repositioning oneself
Mothering in the frame
The visualization of autism
Mirror Visions and Dissolving Views
Intensities of feeling
The ethnographic spectacle of the ‘other’ Filipinos in early cinema
Cybernetic Sense
The (dis)location of time and space
Re-forming the institution
Travelling eye
The Moroccan Film Industry A Contre-Jour
Witnessing in the age of the database
To Believe in an Image (Again)
“Fractured Moments, Contradiction, and Confusion”
Intercity Cinema
The Black Maria
Killed Because of Lousy Ratings
Reading Victorian Illusions
Superpositions
Temporal transformations in cinema and psychoanalysis
Digital media and the banalization of deception
Violence, Affect, and Time-Based Media in Mexico, 2010-2019
The Presence of War
Cultural Geography and Videogames
Turning Back Time
Reanimating the Domestic Still Life
Science and Cinema
Creeping, Drinking, Dying
The anxiety of affect
| Obras citantes distintas | 74 |
|---|---|
| Citas por año | 3,36 |
| Intervalo de citas | 2004 - 2026 (23) |
| Velocidad de citación | current |
| Altamente citado | No |
| Tipos de cita | Neutras: 66 |