Absorption and Theatricality
Painting and Beholder in the Age of Diderot
Datos Bibliográficos
| ID | 23398355 |
|---|---|
| Autores | Michael Fried (0000-0001-6883-8174, autor de correspondencia) |
| Año | 1980 |
| Fecha de publicación | 1980-12-31 |
| Open Access | No |
| Tipo | BOOK |
| Revista | Absorption and Theatricality (SOURCE_BOOK) |
| Editorial | University of California Press (PUBLISHER • US) |
| DOI | 10.1525/9780520322462 |
| OpenAlex | W2788990500 |
| Open Library | OL50701437M |
| ISBN | 9780520322462 |
| Idioma | EN |
| Citas recibidas | 171 |
Colonial Objects in Early Modern Sweden and Beyond
Yannis Tsarouchis and Anachronic Modernism
Autoportrait ou portrait de l'artiste peint par lui-même ? Se peindre soi-même à l'époque moderne
Visual events and the friendly eye
Descripción histórica y estética filosófica. La historia social del arte entre la reivindicación de los hechos y el anacronismo del sufrimiento
Invisibility and Oscillation
From Event to Extreme Reality
Lykken i tilbagetrækningen
Sans og samling
Fictions of the Pose
Nine Revisionist Theses on the Picturesque
A Poem Is Being Written
The Allegorical Image of France, 1750-1800
Realism, Writing, and Disfiguration in Thomas Eakins's Gross Clinic, with a Postscript on Stephen Crane's Upturned Faces
A collaborative methodology between photography and performance in ethnographically informed research
Strategies of Happiness
The Fall of Theatricality in the Age of Modernity
The Contours of the Visual Arts in Tieck's Franz Sternbalds Wanderungen
Animal, Magnetism, Theatricality in Ibsen's The Wild Duck
It was as if he meant something different from what he said--all the time
On Book
The Blue of the Sea
Critical Absorption
The Ordinariness and Absence of the World
The Observer in the Picture
Modes of Address in Pictorial Art
Visualizing Evolution
Tableau et coup de théâtre
The Painting of Modern Light
Shelley's Visual Imagination
To Be Unfree
The Cambridge Introduction to Literature and Philosophy
Gender, Theatre, and the Origins of Criticism
The Cambridge History of Philosophy in the Nineteenth Century (1790–1870)
Henry James's Europe
Prose fiction
Staging Europe
What Survives
A Reply to My Critics
Scar Texts
“An Open Mesh of Possibilities”
Race, Sex, and the Incommensurate
Resisting Representation
Envisioning Blindness in Eighteenth-Century Paris
Instrumental Arias or Sonic Tableaux
Literatura em perspectiva. Teatros de literatura e perspectivação a partir de Morada Frágil
In Other Words
The erection and mutilation of the Hermai
Framing Yourself
Attention, Music, Dance
Im Museum der Metalepsen
Criar um Fantasma do Sujeito
Antiteatralidade E Reconhecimento Em Retrato De Uma Jovem Em Chamas
Zaskarbić spojrzenie – obrazy, które chcą nas zjednać
William Gillette's Sherlock Holmes, or the “Real” Sherlock Holmes
The "Ode" of Sculptor Joaquim Machado de Castro
Tableaux Vivants
Espaços de Contemplação e Beleza
The coup de théâtre and the enchanting object of performance
Replies to my critics
Body, theatricality, and communication
Ford Madox Brown and History Painting
Brecht’s Anti-Theatricality? Reflections on Brecht’s Place in Michael Fried’s Conceptual Framework
‘A Supreme Fiction’
Deconstructing comic persona
Iconic images of wounded soldiers by Henry Tonks
Why Photography Matters as Art as Never Before
The medium on the stage
The aesthetics of astonishment and contemplation in the early British scenic film
Solitude and Sociability
Finding The Irish Girl
Drama Theory, the Division of Knowledge, and the Emergence of the Aesthetic
Putting the Drama into Everyday Life
What Does it Mean to “Consume” Images
Semiotics and performing arts
Art History in Perspective
Winckelmann and Pater, Morelli and Freud
F. R. Ankersmit and the historical sublime
The One Who Burns Herself for Peace
The Aspern Papers
Some Allusions in the Early Stories
James and the “Paradox of the Comedian”
C’est strictement confidentiel
Tourist Attractions, Stereotypes and Physiognomies in The American
Balzacian Intertextuality and Jamesian Autobiography in The Ambassadors
The Absent Writer in The Tragic Muse
The Wavering Ruins of The American
Imagined Democracies
Victorian Art Criticism and the Woman Writer
Private Lives and Interior Spaces
Theatricality
The Sublime, Self-Reference, and Wordsworth's Resolution and Independence
Domestic Enemies
Camera as Witness, Image as Sign
Reading children in comics
Makeup and Kisses
Female Readers and Early Heian Romances
Unsuitable Books for Women
Scenes
Critical ResponseStaging Absorption and Transmuting the Everyday
| Obras citantes distintas | 152 |
|---|---|
| Citas por año | 3,05 |
| Intervalo de citas | 1970 - 2026 (57) |
| Velocidad de citación | current |
| Altamente citado | Sí |
| Tipos de cita | Neutras: 140 |