Noise, Water, Meat
A History of Sound in the Arts
Datos Bibliográficos
| ID | 23399103 |
|---|---|
| Autores | Douglas A Kahn (autor de correspondencia), Douglas Kahn |
| Año | 1999 |
| Páginas | 466 |
| Fecha de publicación | 1999-10-12 |
| Open Access | No |
| Tipo | BOOK |
| Revista | Noise, Water, Meat (SOURCE_BOOK) |
| Editorial | The MIT Press (PUBLISHER • US) |
| DOI | 10.7551/mitpress/5030.001.0001 |
| OpenAlex | W2903863026 |
| Open Library | OL29607814M |
| ISBN | 9780262276672 |
| Idioma | EN |
| Citas recibidas | 92 |
An examination of the role of sound in twentieth-century arts. This interdisciplinary history and theory of sound in the arts reads the twentieth century by listening to it—to the emphatic and exceptional sounds of modernism and those on the cusp of postmodernism, recorded sound, noise, silence, the fluid sounds of immersion and dripping, and the meat voices of viruses, screams, and bestial cries. Focusing on Europe in the first half of the century and the United States in the postwar years, Douglas Kahn explores aural activities in literature, music, visual arts, theater, and film. Placing aurality at the center of the history of the arts, he revisits key artistic questions, listening to the sounds that drown out the politics and poetics that generated them. Artists discussed include Antonin Artaud, George Brecht, William Burroughs, John Cage, Sergei Eisenstein, Fluxus, Allan Kaprow, Michael McClure, Yoko Ono, Jackson Pollock, Luigi Russolo, and Dziga Vertov.
Acoustics · Noise (video) · Physics · Artificial Intelligence · Computer Science · Diverse Musicological Studies · Environmental Science · Art, themes, motives, etc · Arts, Modern · Sound
Olhar e não ser vista
Surrealism, Beat Literature and the San Francisco Renaissance
The Alphabetic Body
Photography's Expanded Field
Nineteenth-Century Opera and the Scientific Imagination
The Cambridge History of Modernism
Opera and Hypnosis
On or About 1922
The Anthropology of Radio Fields
The rapper is present: Sound art, liveness, and the negotiation of identity in Jay Z's “Picasso Baby”
A balance that you can hear
Soundscaping Learning Spaces
“Sounding” the System
Recepção
In Search of Deconstruction
Richard Pryor’s Sonic Acts
The uncertainty of Experience
Writing about Audiovisual Culture
Sonar, Conn. Report all Contacts’
Curse of the mummy
The Holocaust trope
Perfect Listening
Value of silence
Spanish sound studies
Noising forth social change
Beyond Cage
Possibility, Performance, Politics
What Does it Mean to “Consume” Images
The Talking Dead
Latent body—plastic, malleable, inscribed
Excavating the Future
The South‐Grappelli Recordings of the Bach Double Violin Concerto
Digital Voices, Other Rooms
Changes in the social fabric of victims of the armed conflict in Colombia based on an analysis of their sound environments
‘Muzak for Frogs’—Representations of ‘Nature’ in Decoder (1984)
On Nonhuman Sound—Sound as Relation
Prescribing Sound
Sound Subjects and Hearing Cultures
Bruit et jeu vidéo
Soundscape and narrative dynamics in Chinelo Okparanta'sUnder the Udala Trees
Music Technology, Gender, and Class
The Seduction of Sound in Consumer Culture
A Sonic Theory Unsuitable for Human Consumption
Sound Studies
Is there a sound in this text? toward a noisy textuality
Voice, Age, and Islamic Practice in the Life of the Indonesian Keroncong Vocalist Waldjinah
L’écoute « en aveugle » dans les pratiques plastiques du son de Lars Fredrikson et Max Neuhaus
Breathing Space
The Aural Imagination
The Cage-iness of Abstract Expressionism
Improvisation, Indeterminacy, and Ontology
Inside-out instrument
The Hitherto Unknown
A walk of art
Sounding the Media
Writing difference differently
Présentation
Phenomenology of the Scream
Off the Map
Paisajes sonoros
Memoryscape
The Requirement of Having a Body
The Art of Doing (Geographies of) Music
Relational Listening
The flux between sounding and sound
Film Theory and Synchronization
Engraved art and acoustic resonance
In the Absence of Noise, Nothing Sounds
In Search of Sound
Time and Affective Perception in the Sonic Work of Art
Attentive Observation
Ghost Effects
Strategies of Conquest and Defence
Sensing Voice
Rethinking the Soundscape
A small Utopia
Hearing Hart Crane
Seeing a film in blindfolds
Things begin to speak by themselves
Urban soundscapes in the historic centre of Thessaloniki
Mapping street sounds in the nineteenth-century city
Knowing sonic impressionism
The Colossus of Memnon and phonography
The Archaeology of Sound
The Sound of One Hand Playing
Materiality and aural memory in theHarbour Symphony(St. John's, Newfoundland)
Tattoos and Sonic Imitation
A weapon of responsibility
Forum Introduction
An anthropologist underwater
Doing anthropology in sound
Soundscapes
| Obras citantes distintas | 92 |
|---|---|
| Citas por año | 3,83 |
| Intervalo de citas | 2002 - 2026 (25) |
| Velocidad de citación | current |
| Altamente citado | No |
| Tipos de cita | Neutras: 88 |