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The Power and Authority of Maitreya in Mongolia Examined Through Mongolian Art

Bibliographic Data

ID23403971
AuthorsUranchimeg Tsultemin (corresponding author)
Year2015
Pages137-159
Publication date2015-02-09
Open AccessNo
TypeCHAPTER
VenueBuddhism in Mongolian History, Culture, and Society (SOURCE_BOOK)
PublisherOxford University Press (PUBLISHER • GB)
DOI10.1093/acprof:oso/9780199958641.003.0008
OpenAlexW2488444831
ISBN9780199958641
LanguageEN
Citations received2

The chapter focuses on Maitreya, the future historical Buddha, one of the most important deities in Buddhism throughout Asia. Believed to reside in the Tuṣita heaven as a Bodhisattva, Maitreya became particularly important in the Vajrayāna Buddhist traditions of Tibet and Mongolia. This chapter explores Maitreya’s preeminence in late Mongolian Buddhist art by examining the images of Maitreya, Maitreya iconography, depictions of Maitreya Procession, and temples of Maitreya. According to historical, textual sources, the Maitreya Procession was introduced in Tibet in 1409 by the reformer and founder of the dGe lugs Order in Tibet, Tsong kha pa. It was imported to Mongolia in the seventeenth century and henceforth became central to Mongolian Buddhist ritual practices. This chapter covers the Maitreya ritual texts dating from nineteenth-century Mongolia, Mongolian temples, and production of the images of Maitreya in Ikh Khüree Monastery.

Ancient history · Geography · Physics · Power (physics) · Cultural and Sociopolitical Studies · Eurasian Exchange Networks · History · Linguistics and Cultural Studies

  • Maitreya and Zanabazar in Mongolia

    Open Access•Surun-Khanda D Syrtypova•Orientalistica•2022

  • The Grand Maitreya Project of Mongolia

    Isabelle Charleux•Contemporary Buddhism•2020

Citations per year0.33
Citation span2020 - 2022 (3)
Highly citedNo

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