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Visual Experiences and Allegorical Fiction

The Lexis and Paradigm of Fantasie in Jean de Meun’s Rose

Bibliographic Data

ID23405397
AuthorsFabienne Pomel (corresponding author)
Year2020
Pages45-64
Publication date2020-07-16
Peer ReviewedYes
Open AccessYes
TypeCHAPTER
Venue'Roman de la Rose' and Thirteenth-Century Thought (SOURCE_BOOK)
PublisherCambridge University Press (PUBLISHER • US)
DOI10.1017/9781108348799.003
OpenAlexW3037492652
ISBN9781108348799
LanguageEN
References cited170

Jean de Meun introduces learned words into French or participates in their diffusion. One of these neologisms is worthy of attention: fantasie , which twice occurs in the romance in significant ways as well as two occurrences of sen commun . Inasmuch as it is an imaginative faculty, fantasie points to the influence of Aristotle’s De anima and commentaries on it by Aquinas and Avicenna, among other works in the same tradition. This mediating faculty between perception and knowledge, between body and soul, leads to a physio-psychology that produces both epistemological reflection and a conception of poetic language and literary theory. I will attempt to read the visual experiences evoked by Jean de Meun through a lexical approach to assess the role of fantasie in relation to knowledge, erotic experience, and allegorical fiction: if Jean de Meun seems to align fantasie with the errors of the senses and of pathology, he simultaneously puts faith in human cognitive faculties, describing human knowledge more broadly in terms of the cognitive processes of vision and optics. The writer thus emerges as a producer of images, while the reader is called upon to evaluate and interpret this visual language.

Art · Cognition · Epistemology · Faith · Linguistics · Literature · Neologism · Perception · Poetry · Psychoanalysis · Relation (database) · Romance · Soul · Computer Science · Historical and Literary Studies · Medieval Literature and History · Philosophy · Psychology · Renaissance Literature and Culture

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