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The Indigenous Modernism of Khayri Shalabi

Popular Intellectuals and the Neighborhood Ghurza

Bibliographic Data

ID23408080
AuthorsMara Naaman (0000-0001-8449-2417, corresponding author)
Year2011
Pages71-104
Publication date2011-01-01
Open AccessYes
TypeCHAPTER
VenueUrban Space in Contemporary Egyptian Literature (SOURCE_BOOK)
PublisherPalgrave Macmillan US (PUBLISHER)
DOI10.1057/9780230119710_4
OpenAlexW2507091196
ISBN9780230119710
LanguageEN
References cited9

I n the previous chapters I have attempted to establish the site of Wust al-Balad as a historically contested space. The staging of colonial modernity in this space, as we have seen, was a project that was intended to give rise to the modern Egyptian subject. The demonstrations on the eve of the 1952 revolution, as detailed in our discussion of Radwa ‘Ashur’s Qit’a min Urubba , symbolized an important attempt on the part of Cairenes to mar this facade of modernity and decry the increasing presence of foreign capital and consumption in prominent Western locations of the city. Similarly the use of these iconic Western spaces by Egyptian nationalists as key sites for the staging of anti-colonial protests and rallies suggests the way these spaces were then reappropri-ated for the Egyptian nationalist project. To further these ends, the changing of street names in the area of downtown signals not only an obliteration of an undesirable past but an act of “taking back” Wust al-Balad as territory of the Egyptian nation. These keywords were added by machine and not by the authors. This process is experimental and the keywords may be updated as the learning algorithm improves.

Ancient history · Archaeology · Art · Art history · Capital (architecture) · Colonialism · Geography · Indigenous · Modernism (music) · Modernity · Nationalism · Political science · Space (punctuation) · Subject (documents) · Global Maritime and Colonial Histories · History · Islamic Studies and History · Jewish and Middle Eastern Studies · Law · Philosophy

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Highly citedNo

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