James MacMillan Studies
Bibliographic Data
| ID | 23412523 |
|---|---|
| Editors | George Parsons, Robert Sholl (0000-0001-9734-2645) |
| Year | 2020 |
| Publication date | 2020-08-06 |
| Open Access | Yes |
| Type | BOOK |
| Venue | James MacMillan Studies (SOURCE_BOOK) |
| Publisher | Cambridge University Press (PUBLISHER • US) |
| DOI | 10.1017/9781108592154 |
| OpenAlex | W4211171252 |
| Open Library | OL34761785M |
| ISBN | 9781108592154 |
| Language | EN |
| Citations received | 1 |
| References cited | 77 |
The Scottish composer Sir James MacMillan is one of the major figures of contemporary music, with a world-wide reputation for his modernist engagement with religious images and stories. Beginning with a substantial foreword from the composer himself, this collection of scholarly essays offers analytical, musicological, and theological perspectives on a selection of MacMillan's musical works. The volume includes a study of embodiment in MacMillan's music; a theological study of his St Luke Passion; an examination of the importance of lament in a selection of his works; a chapter on the centrality of musical borrowing to MacMillan's practice; a discussion of his liturgical music; and detailed analyses of other works including The World's Ransoming and the seminal Seven Last Words from the Cross. The chapters provide fresh insights on MacMillan's musical world, his compositional practice, and his relationship to modernity.
Art history · Information retrieval · Library science · Anthropological Studies and Insights · Australian Indigenous Culture and History · Chinese history and philosophy · Computer Science · History · Composers · Great britain · History and criticism · Music · Music, scottish
Music, Modernity, and God
The Monstrous New Art
The Ecological Approach to Visual Perception
Iconology
Enactivist Interventions
Analysing Musical Multimedia
The Oxford Handbook of Topic Theory
At Mass With Sir James
Performing Emotions in Early Europe
Understanding Emotions in Early Europe
Christian Rite and Christian Drama in the Middle Ages
The Representational Liturgy of the Regularis Concordia
In the Footsteps of Bach's St. Matthew Passion
Critical Terms for Media Studies
The Myth of Disenchantment
Embodiment in Religious Knowledge
Believing in Beethoven
Britten’s Lament
I Love the Lord & Other Sacred Choral Music
Bizet's Self-Borrowings
The Mechanisms of Lament
Perspectives on Peter Maxwell Davies
Encounters with British Composers
Southwark Cathedral
The Routledge Research Companion to Modernism in Music
TheoArtistry, and a Contemporary Perspective on Composing Sacred Choral Music
The Mass 'Transubstantiated' into Music
The Language Animal
Hearing, Seeing, and Perceptual Agency
Image, Medium, Body
| Unique citing works | 1 |
|---|---|
| Citations per year | 0.5 |
| Citation span | 2024 - 2024 (1) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 1 |