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Games in the Republic

Performance and Space

Bibliographic Data

ID23415545
AuthorsAlison Futrell (University of Arizona, corresponding author)
Year2021
Pages135-154
Publication date2021-10-13
Peer ReviewedYes
Open AccessNo
TypeCHAPTER
VenueOxford Handbook Sport and Spectacle in the Ancient World (SOURCE_BOOK)
PublisherOxford University Press (PUBLISHER • GB)
DOI10.1093/oxfordhb/9780199592081.013.29
OpenAlexW3205905908
ISBN9780199592081
LanguageEN
References cited12

From its earliest days, Roman spectacle served a range of social and political ends; even as these shared experiences solidified group identity and channelled public emotions toward positive ends, organizers, performers, and attendees also claimed these events as opportunities to advance individual ambitions, to press for greater access to public resources, and to assert the legitimacy of various narratives about Roman identity and power. Evidence for theatrical events is of particular interest, because of the intense verbal component in these shows. Elite leaders organized spectacle space to secure preferred messaging, to spotlight elite social dominance, and to restrict popular capacity to divert such venues toward the support of other class goals. Utilizing ritual habits of group expression, however, organized sub-elites in the audience worked to seize control of dramatic scripts, redirecting the stage narrative to refocus and challenge contemporary political discourse and reclaiming architectural messaging to undermine elite intentions.

Classical Antiquity Studies · Computer Science

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Citation velocityhistorical
Highly citedNo

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