Climbing
Alternative Style in the Arts, 1918-1939
Bibliographic Data
| ID | 23426232 |
|---|---|
| Authors | Jane Stevenson (corresponding author) |
| Year | 2018 |
| Pages | 336 |
| Publication date | 2018-01-18 |
| Open Access | No |
| Type | BOOK |
| Venue | Baroque Between the Wars (SOURCE_BOOK) |
| Publisher | Oxford University Press (PUBLISHER • GB) |
| DOI | 10.1093/oso/9780198808770.003.0002 |
| OpenAlex | W4236048592 |
| ISBN | 9780198808770 |
| Open Library | OL28643149M |
| Language | EN |
This chapter examines the social aspect of the interwar arts. It demonstrates that the genuinely innovative were almost all dependent on personal patronage to support the early stages of their career. The necessity of clientage relationships influenced what was achieved, since the patrons’ interests could not be discounted. Cultural capital was exchanged for social opportunity and financial support. This also gave particular opportunities to gay people of both genders.
Art · Capital (architecture) · Climbing · Cultural capital · Political science · Social capital · Social science · Sociology · The arts · Visual arts · Engineering · French Historical and Cultural Studies · Historical Gender and Feminism Studies · Law · Psychology · Social Psychology · 20th century · Art, modern · Baroque Aesthetics · Classical Aesthetics · Modern Art · Modernism (Aesthetics) · Themes, motives
| Highly cited | No |
|---|