Dismantling Thiaroye’s Dichotomies in Cheikh Faty Faye’s Play
Bibliographic Data
| ID | 23427446 |
|---|---|
| Authors | Sabrina Parent (corresponding author) |
| Year | 2014 |
| Pages | 151-167 |
| Publication date | 2014-01-01 |
| Open Access | Yes |
| Type | CHAPTER |
| Venue | Cultural Representations of Massacre (SOURCE_BOOK) |
| Publisher | Palgrave Macmillan US (PUBLISHER) |
| DOI | 10.1057/9781137274977_9 |
| OpenAlex | W2485335558 |
| ISBN | 9781137274977 |
| Language | EN |
Although first published in a sequence of episodes in a Senegalese newspaper during the 1970s, Cheikh Faty Faye’s play Aube de sang was published in France as a complete work in 2005. It contributed to disseminating a work that had until then remained mostly unknown. Despite an early and discreet first publication, I argue that, like Bouchareb’s movie, Faye’s play belongs to a third phase of representing the mutiny and massacre. Indeed, the tone in which Faye depicts the mutiny has more in common with Bouchareb’s than it has with Doumbi-Fakoly’s, Diop’s, or Sembene’s. These keywords were added by machine and not by the authors. This process is experimental and the keywords may be updated as the learning algorithm improves.
Ancient history · Art · Genealogy · Media studies · Mutiny · Newspaper · Sociology · African history and culture studies · African Studies and Ethnography · Caribbean and African Literature and Culture · History
| Highly cited | No |
|---|