Shadows of Babylon and Shreds of Artificial Silk

Weimar’s Cultural and Political Legacies in the Contemporary Television Series Babylon Berlin

Bibliographic Data

ID23433883
AuthorsJill Suzanne Smith (corresponding author)
Year2024
Pages199-221
Publication date2024-06-27
Open AccessYes
TypeCHAPTER
VenueWeimar's Long Shadow (SOURCE_BOOK)
PublisherCambridge University Press (PUBLISHER • US)
DOI10.1017/9781009484329.009
OpenAlexW4402840658
ISBN9781009484329
LanguageEN
References cited19

Smith’s chapter focuses on the continued influence of the idea of Weimar Berlin in contemporary popular culture. The chapter takes as its starting point recent cultural expressions, such as the television series Babylon Berlin , focusing on previously unexplored aspects of how Weimar is depicted as a modern Babylon. Smith identifies two particularly salient aspects in these depictions: first, that the portrait of right-wing political cultures within Weimar are given more depth and nuance than are afforded center-left and left-wing ones; and, second, how the depiction of sex and violence leads us back to Alfred Döblin’s Berlin Alexanderplatz and its apocalyptic vision of Weimar, along with Anglo-American visions of Weimar that have particularly long staying power, in particular Christopher Isherwood’s depiction of 1930s Berlin and its iterations and adaptations on stage and screen. The chapter demonstrates the ways in which Weimar retains its grip on aspects of our contemporary popular culture and how the particular forms these cultural expressions take may tell us about the lessons drawn from Weimar.

SILK · Telecommunications · Engineering · Eurasian Exchange Networks · Hispanic-African Historical Relations · Medieval Literature and History

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