Anti-Immigrant Politics and Transformations of the Music Business, 1989–1996
Bibliographic Data
| ID | 23437720 |
|---|---|
| Authors | James A Winders (corresponding author) |
| Year | 2006 |
| Pages | 79-104 |
| Publication date | 2006-01-01 |
| Open Access | Yes |
| Type | CHAPTER |
| Venue | Paris Africain (SOURCE_BOOK) |
| Publisher | Palgrave Macmillan US (PUBLISHER) |
| DOI | 10.1057/9780230602076_4 |
| OpenAlex | W2494469615 |
| ISBN | 9780230602076 |
| Language | EN |
| References cited | 11 |
Asked in 1997 to describe the most important differences between the early Mitterrand years (1981–1989) and the unfolding decade of the 1990s for the African music scene in Paris, Hélène Lee (1947–), long a music journalist for Libération as well as for other publications, was as blunt as possible. “It’s very, very simple,” she said forcefully: Under Mitterrand, we had money. There was money for the music and visas for the musicians. Now, there are no more visas for the musicians and no more money for the music. That’s all. 1 Certainly exaggerated for effect, Lee’s assessment nevertheless seems accurate in terms of degree, as a means of contrasting what the two periods were like for a great many African musicians. For us to accept this characterization, we need first to ask what changed in French culture in order for the situation of immigrant musicians to be so much worse only a few years after the seeming high point of 1989. Not surprisingly, the answer has to do with much more than changes in the music business, although there certainly were some decisive changes there. For complicated reasons, as we shall see, the early 1990s marked the end of the apparent divergence between French attitudes toward the North African immigrant population and attitudes toward black African immigrants from south of the Sahara. These keywords were added by machine and not by the authors. This process is experimental and the keywords may be updated as the learning algorithm improves.
Art · Divergence (linguistics) · Economic history · Economics · Immigration · Literature · Order (exchange) · Political science · Politics · Popular music · Population · Sociology · African history and culture studies · Cultural Identity and Heritage · Demography · Gender Studies · History · Law · North African History and Literature · Philosophy
Philosophies of Integration
Le Foulard et la République
Immigration, 'Race' and Ethnicity in Contemporary France
The Global Jukebox
Fundamentalisms and the state
Unnaturally French
Françoise Gaspard, Farhad Khosrokhavar, Le foulard et la République, Paris, La Découverte, 1995
Rumba on the River
The evolution of the Goutte d'Or as an ethnic minority district of Paris
| Highly cited | No |
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