Greek Plays in England
Bibliographic Data
| ID | 23446706 |
|---|---|
| Authors | Tanya Pollard (0000-0002-6272-1204, corresponding author) |
| Year | 2017 |
| Publication date | 2017-09-21 |
| Open Access | No |
| Type | BOOK |
| Venue | Greek Tragic Women on Shakespearean Stages (SOURCE_BOOK) |
| Publisher | Oxford University Press (PUBLISHER • GB) |
| DOI | 10.1093/oso/9780198793113.003.0002 |
| OpenAlex | W4241837671 |
| ISBN | 9780198793113 |
| Language | EN |
Chapter 1, “Greek Plays in England,” argues that England played a crucial role in new transnational conversations about rediscovered Greek plays. The chapter traces the history of scholarship, translation, and publication of Greek plays in England, with a focus on the contributions of Erasmus. It develops extended readings of two important early contributions—Jane, Lady Lumley’s Tragedy of Iphigenia , a translation of Euripides’ Iphigenia in Aulis , and George Gascoigne and Francis Kinwelmersh’s Jocasta , a translation of Euripides’ Phoenician Women— as well as discussing Thomas Watson’s Latin translation of Antigone . The chapter closes by exploring knowledge of Greek among writers for London’s commercial theaters, and identifying key plays and figures that loomed large in English dramatic responses.
Art · Art history · Erasmus · Greek tragedy · Literature · Scholarship · The Renaissance · Watson · Classics · History · Philippine History and Culture
| Highly cited | No |
|---|