Orchestral Melody in Pénélope
Aspects of Wagner’s Influence on Fauré
Bibliographic Data
| ID | 23448689 |
|---|---|
| Authors | Mathieu Schneider (corresponding author) |
| Year | 2021 |
| Pages | 152-169 |
| Publication date | 2021-04-22 |
| Open Access | Yes |
| Type | CHAPTER |
| Venue | Fauré Studies (SOURCE_BOOK) |
| Publisher | Cambridge University Press (PUBLISHER • US) |
| DOI | 10.1017/9781108692267.008 |
| OpenAlex | W3154839204 |
| ISBN | 9781108692267 |
| Language | EN |
In her “Étude comparée des langages harmoniques de Fauré et de Debussy,” Françoise Gervais contends that “melody does not have an independent existence in Fauré’s music. It is born of the harmony and remains inseparable from it.” 1 Moreover, not a single chapter of this book, which has stood now for more than forty years as a musicological summa on Fauréan harmony, is dedicated to melody.
Art · Harmony (color) · Humanities · Literature · Visual arts · Historical and Literary Analyses · Historical and Literary Studies · Musicology and Musical Analysis · Philosophy
| Highly cited | No |
|---|