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Ballads and Libels

Bibliographic Data

ID23452113
AuthorsAdam Fox (0000-0002-3533-9798, corresponding author)
Year2002
Pages299-334
Publication date2002-05-16
Open AccessNo
TypeCHAPTER
VenueOral And Literate Culture In England 15001700 (SOURCE_BOOK)
PublisherOxford University Press (PUBLISHER • GB)
DOI10.1093/acprof:oso/9780199251032.003.0007
OpenAlexW2489495892
ISBN9780199251032
LanguageEN

This chapter focuses on the scenario of ballads and libels in the 16th- and 17th-century England. The makers of ballads and libels were regularly under trial in early modern England, since ballads could be considered moral offences. Ballads and songs were invented in order to ridicule and shame a rival or adversary. The Star Chamber records provids important information about the way in which slander and libel were regarded during this period. Even though the makers of songs and rhymes could not read handwriting, they still sought to have their compositions written down and transcripts made in order to facilitate the circulation of their work and also to heighten their impact. The written word added a visual and a physical dimension to the ethereal quality of sound.

Art · Ballad · Linguistics · Colonialism, slavery, and trade · Global Maritime and Colonial Histories · Philosophy

Highly citedNo

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