Speaking Silence in Cicero’s Brutus and Tacitus’ Dialogus de Oratoribus
Bibliographic Data
| ID | 23452902 |
|---|---|
| Authors | Kathrin Winter (corresponding author) |
| Year | 2021 |
| Pages | 125-141 |
| Publication date | 2021-09-16 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | CHAPTER |
| Venue | Unspoken Rome (SOURCE_BOOK) |
| Publisher | Cambridge University Press (PUBLISHER • US) |
| DOI | 10.1017/9781108913843.008 |
| OpenAlex | W3198481697 |
| ISBN | 9781108913843 |
| Language | EN |
| References cited | 300 |
Cicero’s Brutus a nd Tacitus’ Dialogus de Oratoribus deal with the silence of eloquence resulting from the change of the political system in the first century BC. This silence leads to a paradoxical effect: it produces all the more eloquent speech, which helps to keep the discourse of the position of eloquence going. In the Brutus, the narrative is driven by the interlocutors’ desire for eloquent speech while the silence of speech is compensated for by the history of Roman eloquence. The conversation is set in a field of tension between two poles of omnipresent silence: the reason for the political change, Caesar, and the climax of rhetorical history, Cicero himself. The former is explicitly omitted, the latter continually postponed until the climax of eloquence is finally released at the end of the dialogue. The Dialogus deals in hindsight with the absence of great eloquence. While speech and voices are represented in abundance, small but numerous gaps occur within them, creating a gauze of silence that, unobtrusively, keeps the meaning of the text unstable. The conversation is driven on not by the interlocutors’ desire for eloquent speech but by the speech act of promise, which is renewed throughout the text.
Aesthetics · Art · Cicero · Literature · Political science · Politics · Silence · Classical Antiquity Studies · Classical Philosophy and Thought · Language, Metaphor, and Cognition · Law · Philosophy
Culture and national identity in Republican Rome
Texts and Transmission
When the Lamp is Shattered
Epistolarity
Catullus
Controlling Laughter
Claudian
Crises and the Roman Empire
Virgil, Aeneid 3
Family in Flavian Epic
Epic and Empire in Vespasianic Rome
Translation and the Poet's Life
The Poetics of Personification
The Ruin of Time
The Second and Third Century
Ovid Among the Conspiracy Theorists
The Unfinished Aeneid ?
Reading and Response in the Dialogus
The English Elegy
Postmodernism, Romantic Irony, and Classical Closure
Flavian Epic and Trajanic Historiography
Seduction and Repetition in Ovid’s Ars Amatoria 2
Final Judgments
Nero
Repetition in Latin Poetry
Crossing the threshold
Catullus and the Garland of Meleager
Seneca’s Apocolocyntosis
Sons and lovers
On the text of theAeneid
In Manus
Staging Nero
My Enemy’s Enemy is My Enemy
Notes on the Ancient Reception of Sappho
Handbook of Literary Rhetoric
Theory of the Lyric
The Limits of Critique
A Voice and Nothing More
Powers of Horror
Death and the Afterlife
For More than One Voice
Sublime Historical Experience
Speaking into the Air
Redeeming the text
Catullus and his World
Vergil's Aeneid and the Argonautica of Apollonius Rhodius (Arca, 39)
Literature and politics in the age of Nero
Tradition and originality in Roman poetry.
Backgrounds to Augustan poetry
The Rhetoric of Imitation
The Epic Successors of Virgil
How To Do Things With Words
Free Speech in Classical Antiquity
The Latin Sexual Vocabulary
Commenter la Thébaïde (16e-19e s.)
World Philology
"Epistolarity" in the First Book of Horace's Epistles
From Pompeii to Paris
Sueton und seine zitierweise im ‘Divus Iulius’
Seneca’s Letters to Lucilius
The Art of Veiled Speech
Reading Seneca
The Manhandling of Maecenas
Chapter 7. “Quae quis fugit damnat”
Triumphus
Zum Germanenbegriff Caesars
Facing Death
Dreams of the Burning Child
The Cambridge Companion to Seneca
A Commentary on Vergil, Aeneid 3
Deep Classics
Delusion and Dream in Théophile Gautier's Arria Marcella
Positive—Negative Asymmetry in Evaluation of Natural Stimuli
Exemplary government in the early Roman Empire
Imago suae vitae
De re publica esset silentium. Pensée politique et histoire de l’éloquence dans le Brutus
Turns And Returns In Plautus’ Casina
Aesthetic Experiences and Classical Antiquity
Between Orality and Literacy
The Sublime in Antiquity
The Cambridge Companion to Tacitus
The World of Tacitus' Dialogus de Oratoribus
The Cambridge Companion to the Age of Nero
Tales of the Barbarians
The Stagecraft and Performance of Roman Comedy
Carthage in Virgil's Aeneid
Catullus, Cicero, and a Society of Patrons
Tacitus’ History of Politically Effective Speech
Caesar in Gaul and Rome
The Poet's Voice
The Primacy of Vision in Virgil's Aeneid
Ovid's Early Poetry
The Transvestite Achilles
Catullus
Ovid's Revisions
The Ovidian Heroine as Author
Satire and the Threat of Speech
Slave Theater in the Roman Republic
Constructing Literature in the Roman Republic
Writing and Empire in Tacitus
| Citation velocity | historical |
|---|---|
| Highly cited | No |