Lyric Poetry in an Athenian Context
Bibliographic Data
| ID | 23455993 |
|---|---|
| Authors | Laura Swift (0000-0002-3745-3500, corresponding author), L A Swift |
| Year | 2010 |
| Pages | 35-60 |
| Publication date | 2010-01-07 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | CHAPTER |
| Venue | The hidden chorus (SOURCE_BOOK) |
| Publisher | Oxford University Press (PUBLISHER • GB) |
| DOI | 10.1093/acprof:oso/9780199577842.003.0003 |
| OpenAlex | W2476136954 |
| ISBN | 9780199577842 |
| Language | EN |
This chapter discusses the role that choral performance and lyric poetry held in fifth‐century Athenian life. It begins by examining the evidence for choral performance in Athens, and goes on to discuss how lyric poetry was known and circulated. Since many ‘high’ forms of poetry were known by elite means, this leads to a discussion of elite poetic material in democratic society, looking at the institution of the symposium and deriving evidence from oratory and comedy, as well as evidence from material culture. The chapter argues that Athenian attitudes to elite poetry were aspirational and that large sections of the tragic audience would have responded to lyric references. The chapter concludes with a discussion of tragedy's relationship to democracy and to Athenian civic ideology.
Art · Choir · Comedy · Context (archaeology) · Democracy · Elite · Ideology · Literature · Poetry · Political science · Politics · Tragedy (event) · Visual arts · Ancient Egypt and Archaeology · Ancient Mediterranean Archaeology and History · Classical Antiquity Studies · History · Law
| Citation velocity | historical |
|---|---|
| Highly cited | No |