Standing on a Beach

Eric Langley examines how early modern writers revisit the classically derived emblematic scenario of the shipwreck as they assess the nature of compassionate contact. In this chapter, he shows how the recurring image of the shipwreck provides insight into the extent to which vulnerability, affectivity, embeddedness or interdependence are integrated into the substructure of the subject at various historical moments. He argues that the emblem of the shipwreck is used in early modern texts, and particularly in the works of Shakespeare, to account for both the importance and cost of emotional interaction.

Aesthetics · Archaeology · Art · Computer security · Embeddedness · Emblem · Epistemology · Social science · Sociology · Subject (documents) · Vulnerability (computing) · Computer Science · Global Maritime and Colonial Histories · History · Philippine History and Culture · Philosophy · Travel Writing and Literature