Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Wondrous Signature

Bibliographic Data

ID23466166
AuthorsLamia Balafrej (0009-0002-7737-3588, corresponding author)
Year2019
Pages184-213
Publication date2019-07-01
Open AccessNo
TypeCHAPTER
VenueMaking of the Artist in Late Timurid Painting (SOURCE_BOOK)
PublisherEdinburgh University Press (PUBLISHER • GB)
DOI10.3366/edinburgh/9781474437431.003.0006
OpenAlexW4254904095
ISBN9781474437431
LanguageEN

Chapter 4 explores the expressive qualities of the line in Persian painting and drawing. Using contemporary sources that linked linear precision to the maker’s dexterity and morality, this chapter focuses on the line as a vehicle of artistic representation. For historical viewers, the line read less as a contour designed to create motifs than as an object in its own right, endowed with plastic meaning and expressive effects. The line not only captured the sensory work of artists but it also attested to their moral qualities. Through precision, grace and minuteness, the line became the emblem of a painter’s moral character. Lyrical poetry further testified to the line’s ethical thrust by linking the calligraphic flow of the line to the mystical quest for love.

Aesthetics · Art · Emblem · Embodied cognition · Epistemology · Line (geometry) · Literature · Meaning (existential) · Morality · Mysticism · Painting · Poetry · Representation (politics) · Visual arts · Eurasian Exchange Networks · Historical Astronomy and Related Studies · Mathematics · Philosophy

Highly citedNo

Tools

Open DOILibgen
Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae