The Mémoires and Their Legacy
Bibliographic Data
| ID | 23489008 |
|---|---|
| Authors | Jessica Goodman (0000-0003-0784-8146, corresponding author) |
| Year | 2017 |
| Publication date | 2017-07-20 |
| Open Access | No |
| Type | BOOK |
| Venue | Goldoni in Paris (SOURCE_BOOK) |
| Publisher | Oxford University Press (PUBLISHER • GB) |
| DOI | 10.1093/acprof:oso/9780198796626.003.0008 |
| OpenAlex | W4234882672 |
| ISBN | 9780198796626 |
| Language | EN |
This chapter considers how the whole Parisian period is presented in the Mémoires . It examines which elements of Goldoni’s French career are discussed, and identifies a refrain of failure despite the grand claims of the preface; a refrain that seems to stem from a blinkered focus on the weight of Comédie-Française success, born of the misunderstandings identified in Chapter 6. It then considers plays written about Goldoni since his death, and by analysing their relationship to the Mémoires , suggests that the genius myth he set out to create was unsuccessful in the French context due to a lack of published evidence of successful authorship to counterbalance his misdirected autobiographical writings.
Aesthetics · Archaeology · Art · Context (archaeology) · Genealogy · Literature · Mythology · Period (music) · Classics · Historical and Literary Analyses · Historical and Literary Studies · Historical Studies and Socio-cultural Analysis · History
| Highly cited | No |
|---|