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Singers, Cynics, Molecular Mice

The Political Aesthetics of Contemporary Activism

Bibliographic Data

ID2352541
AuthorsGerald Raunig (Zurich University of the Arts, corresponding author)
Year2014
Volume31
Issue7-8
Pages67-80
Publication date2014-12-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueTheory Culture & Society (JOURNAL)
Journal identifiersISSN: 0263-2764 • E-ISSN: 1460-3616
PublisherSAGE Publishing (PUBLISHER • US)
DOI10.1177/0263276413497406
OpenAlexW2076547019
LanguageEN
Citations received3

On the basis of certain tensions between Jacques Rancière's aesthetics and his political philosophy, the article tries to trace new modes of subjectivation in contemporary activism and art. It explores how the actors of the overlapping terrains of aesthetic and political practices organize 'different forms, different spaces of expression and distribution of ideas' in Rancière's sense. Yet, analysing the practices of the Occupy movement, the Spanish M15 movement, and the dOCUMENTA (13) 'agents' AND AND AND as radically inclusive, polyvocal and transversal, it proposes a position that differs from Rancière's rejection of activist art, a non-totalizing political aesthetics as a component of molecular revolution

Aesthetics · Epistemology · Linguistics · Movement (music · Political activism · Political science · Politics · Sociology · Critical Theory and Political Philosophy · Law · Philosophy

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Unique citing works3
Citations per year0,38
Citation span2018 - 2024 (7)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 3

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