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The Poetics and Politics of Vivan Sundaram's Trash

Bibliographic Data

ID2352564
AuthorsTania Roy (0009-0005-6472-5849, National University of Singapore, corresponding author)
Year2013
Volume30
Issue7-8
Pages265-276
Publication date2013-12-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueTheory Culture & Society (JOURNAL)
Journal identifiersISSN: 0263-2764 • E-ISSN: 1460-3616
PublisherSAGE Publishing (PUBLISHER • US)
DOI10.1177/0263276413503690
OpenAlexW2134725447
LanguageEN
Citations received2
References cited5

This article approaches the recent work of pre-eminent Indian conceptual artist Vivan Sundaram, Trash (2008), as a supplement to dominant representational practices of, and within, the Indian megacity. Re-purposing tropes that motivate both popular and specialist discourses, Sundaram's recent ensemble rehearses the discursive construction of the megacity-as-waste, by representing an urban totality through elaborate, ordered arrangements of garbage. Working collaboratively with waste-pickers who are members of the non-governmental organization Chintan: Environmental and Research Action Group in New Delhi, the artist sorts, re-assembles and scales the found-objects of Trash into detailed models of a monumental urban landscape. Through a close reading of its formal aspects, the entry examines Trash's reflection on logics of planned obsolescence which govern both the work as well as fantasies of economic nationalism premised on dualistic images of the global/mega-city

Aesthetics · Art · Concreteness · Developmentalism · Economics · Economy · Epistemology · Garbage · Literature · Materialism · Megacity · Obsolescence · Poetics · Political science · Politics · Sociology · Work (physics · Art, Politics, and Modernism · Computer Science · Geographies of human-animal interactions · Law · Philosophy · Theatre and Performance Studies

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Unique citing works2
Citations per year0,15
Citation span2013 - 2022 (10)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 2

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