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On the Ambiguity of Pleasure and Play

Bibliographic Data

ID2352897
AuthorsGeorges Bataille (corresponding author)
Year2018
Volume35
Issue4-5
Pages233-250
Publication date2018-09-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueTheory Culture & Society (JOURNAL)
Journal identifiersISSN: 0263-2764 • E-ISSN: 1460-3616
PublisherSAGE Publishing (PUBLISHER • US)
DOI10.1177/0263276418793510
OpenAlexW2891479370
LanguageEN
Citations received3

This lecture argues for a theory of play that departs from the Freudian analysis of pleasure and pain that associates pleasure with the resolution of a psychic tension or anxiety rather than with play and its ambiguities. It advances the idea that poetry, the domain of the aesthetic, eroticism, as well as that of the sacred involve forms of play. Play is here conceptualized in its positive aspect as an experience beyond reflective consciousness or calculation and that relates instead to the improbable, the fascinating, the risky and thus to the death instinct. To that extent, the decisive part of play concerns the role of the unconscious in its elaboration. It is from such a perspective that it proposes the identity of pleasure and play

Aesthetics · Ambiguity · Art · Consciousness · Epistemology · Eroticism · Freudian slip · Human sexuality · Identity (music · Instinct · Pain and pleasure · Perspective (graphical · Pleasure · Pleasure principle · Psychic · Psychoanalysis · Psychotherapist · Sociology · Unconscious mind · Gender Studies · Literature, Culture, and Aesthetics · Philosophy · Psychology · Theatre and Performance Studies

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Unique citing works3
Citations per year0,38
Citation span2018 - 2021 (4)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 3

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