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Clothing Degree Zero

A Late Reading of Barthes' Fashion 'System

Bibliographic Data

ID2353007
AuthorsJie Feng (0000-0002-3988-9148, Southwest University, corresponding author)
Year2020
Volume37
Issue4
Pages97-118
Publication date2020-07-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueTheory Culture & Society (JOURNAL)
Journal identifiersISSN: 0263-2764 • E-ISSN: 1460-3616
PublisherSAGE Publishing (PUBLISHER • US)
DOI10.1177/0263276420910484
OpenAlexW3014121254
LanguageEN
Citations received1
References cited15

Drawing upon Roland Barthes' posthumously published notebooks from his 1974 trip to China, in which he remarks upon the 'complete absence of fashion. Clothing degree zero', this article offers a 'late' reading of Barthes' interest in fashion, suggested here as a form of writing. In reference to the late works, specifically Barthes' penultimate lecture course on the Neutral and Travels in China, supplemented by François Jullien's comments on Barthes' trip to China (regarding the use of the term 'blandness'), as well as mention of Michelangelo Antonioni's film Chung Kuo-Cina (which Barthes viewed with 'methodological' interest), it is possible to draw together a reading of fashion as a neutral form. As a final step, reflection is given to Susan Buck-Morss' reading of 'history as passing', as discontinuous moments (whereby fashion is symptomatic of such transformations). Barthes' writerly mode - which works upon incidental details (also found in the work of Antonioni) - is revealed to be a pertinent method

Art · Art history · China · Clothing · Degree (music · Linguistics · Literature · Mode (computer interface · Physics · Reading (process · Zero (linguistics · Art, Politics, and Modernism · Computer Science · History · Philosophy · Semiotics and Representation Studies · Visual Culture and Art Theory

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Unique citing works1
Citations per year0,5
Citation span2024 - 2024 (1)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 1

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