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Merleau-Ponty

Beauty, Phenomenology, and the 'Theological Turn

Bibliographic Data

ID2353016
AuthorsBlake Allen (0000-0002-3772-0197, University of Cambridge, corresponding author)
Year2021
Volume38
Issue3
Pages71-90
Publication date2021-05-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueTheory Culture & Society (JOURNAL)
Journal identifiersISSN: 0263-2764 • E-ISSN: 1460-3616
PublisherSAGE Publishing (PUBLISHER • US)
DOI10.1177/0263276420915268
OpenAlexW3023784553
LanguageEN
Citations received3
References cited10

In a landmark text, 'The Theological Turn of French Phenomenology', Dominique Janicaud posits a boundary that sharply divides the legitimate phenomenological tradition from a problematic variant seen to be fundamentally compromised by theology. This article develops an immanent critique of Janicaud's position. It demonstrates that his boundary relies on the mature work of Maurice Merleau-Ponty as a constitutive exemplar of the tradition, that this work is centrally concerned with beauty, and that its notion of beauty is irreducibly theological. Merleau-Ponty himself will thus be shown to enact his own version of the theological turn. I shall consequently propose a reconstrual of the boundary of phenomenology. My argument relies fundamentally on Merleau-Ponty's essay, 'Eye and Mind', and includes a critical restatement of Galen Johnson's reading of this text. In addition to its direct relevance to phenomenology, this article bears upon broader concerns, including the relationships between theory, the body, aesthetics, and the post-secular

Beauty · Epistemology · Phenomenology (philosophy · Phenomenology and Existential Philosophy · Philosophy · Philosophy, Ethics, and Existentialism · Simone de Beauvoir and Sartre

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Unique citing works3
Citations per year0.75
Citation span2022 - 2026 (5)
Citation velocitycurrent
Highly citedNo
Citation typesNeutral: 1

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