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Post-punk, Industrial Culture Zines, and the Information Dark Age

Bibliographic Data

ID2353234
AuthorsChristopher Haworth (0000-0003-0587-1465, University of Birmingham, corresponding author)
Year2023
Volume40
Issue7-8
Pages211-235
Publication date2023-12-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueTheory Culture & Society (JOURNAL)
Journal identifiersISSN: 0263-2764 • E-ISSN: 1460-3616
PublisherSAGE Publishing (PUBLISHER • US)
DOI10.1177/02632764221151133
OpenAlexW4366288341
LanguageEN
References cited21

Several scholars have noted parallels between the online communicative tactics of the American alt-right and those of industrial musicians in the 1970s and 1980s. This article explores these connections further by analysing the informational media that industrial musicians developed. Between the mid-1980s and 1990s, these zines, handbooks, and websites made a strenuous break with the values of democracy, egalitarianism, and grassroots authenticity that were the default ideological 'mode' of DIY. Where the Californian ideology would centre the summer of love and the politics of the New Left, the zines ambiguously celebrated the nihilistic, authoritarian, and occult vectors of psychedelia - tendencies that have been associated with the late 1960s fate of the counterculture rather than its earlier heyday. The article tracks these themes from Vague magazine and Rapid Eye, to the Cybernetic Culture Research Unit in the 1990s, to neoreaction and the Dark Enlightenment, asking whether communicational utopianism should be considered a blip rather than the internet's default state

Aesthetics · Art · Authoritarianism · Counterculture · Democracy · Egalitarianism · Enlightenment · Epistemology · Grassroots · Ideology · Media studies · Political science · Politics · Sociology · Digital Games and Media · Law · Media, Communication, and Education · Music History and Culture · Philosophy

  • Notes from underground

    Stephen Duncombe•Notes from underground•1997

  • Discriminating Data

    Wendy Hui Kyong Chun, Alex Barnett•Discriminating Data•2021

  • The International Alt-Right

    Patrik Hermansson, David Lawrence et al.•International Alt-Right•2020

  • On Musical Mediation

    Open Access•G Born•twentieth-century music•2005

  • Kill All Normies

    Angela Nagle, Mary Sarah•Kill All Normies•2017

  • Mencius Moldbug and Neoreaction

    Joshua Tait•Key Thinkers of the Radical Right•2019

  • New dark age

    Roman Krzanowski•Information Communication & Society•2019

  • From Counterculture to Cyberculture

    Fred Turner•From Counterculture to Cyberculture•2006

  • QAnon and the information dark age

    Open Access•Matthew N Hannah, Matthew Hannah•First Monday•2021

  • Protentions and Retentions of Xenakis and Cage

    Christopher Haworth•Contemporary Music Review•2018

  • Punk, Politics and British (fan)zines, 1976-84

    Matthew Worley•History Workshop Journal•2015

  • Exit immersion

    Will Schrimshaw•Sound Studies•2015

  • From Microsound to Vaporwave

    G Born, Christopher Haworth•Music and Letters•2017

  • Feenin

    Alexander G Weheliye•Social Text•2002

Citation velocityhistorical
Highly citedNo

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