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Poesia cantata 2

Die italienischen Cantautori zwischen Engagement und Kommerz

Bibliographic Data

ID23536247
EditorsFrank Baasner
Year2002
Publication date2002-12-31
Open AccessNo
TypeBOOK
VenuePoesia Cantata 2 (SOURCE_BOOK)
PublisherDe Gruyter (PUBLISHER • DE)
DOI10.1515/9783110919097
OpenAlexW2491369394
ISBN9783110919097
Open LibraryOL37098818M
LanguageIT

Hardly any other European country has such a continuous, lively, and multi-faceted tradition of politically and socially committed popular song as Italy. From the 1970s to the present day, Italy's singers and song-writers have been a social barometer, reflecting new tendencies and acting as a mouthpiece for old and renewed concerns and protests. The volume seeks to provide a panorama of the last 30 years in this respect, with special reference to rock and rap. One striking feature is the return in the 1990s to central themes from the politically much more obviously 'stormy' 1970s: social justice, humanity versus materialism, etc. At the same time, a central contradiction inherent in the position of the singers themselves appears to defy resolution. Successful singers with a committed 'message' have no choice but to operate within an economic market for their songs. Once they do so, the contradiction between their social/political message and their own economic success becomes evident.

Art · Diverse academic and cultural studies · Italian Fascism and Post-war Society · Italian Literature and Culture

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