An Essay on Self and Camp
Bibliographic Data
| ID | 2353946 |
|---|---|
| Authors | Andrew Travers (0000-0003-1920-5826, corresponding author) |
| Year | 1993 |
| Volume | 10 |
| Issue | 1 |
| Pages | 127-143 |
| Publication date | 1993-02-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Theory Culture & Society (JOURNAL) |
| Journal identifiers | ISSN: 0263-2764 • E-ISSN: 1460-3616 |
| Publisher | SAGE Publishing (PUBLISHER • US) |
| DOI | 10.1177/026327693010001006 |
| OpenAlex | W2147627633 |
| Language | EN |
| Citations received | 6 |
| References cited | 16 |
There is a time of day immediately before dusk when the outline of every object becomes sharply delineated. It was just that moment. The lacerated edges of wooden beams in the wreckage, the freshness of the rents in the shredded trees, and the curled zinc sheets with their puddles of rain water - everything appeared almost unpleasantly vivid. In the extreme west only a horizontal line of scarlet was to be seen in the sky between two or three towering black burned-out buildings. Flecks of scarlet were also visible through the windows of the ruined structures. It was as if someone had turned on a red light in a deserted and uninhabited house. (Yukio Mishima, The Temple of Dawn
Art · Art history · Astronomy · Dusk · Object (grammar · Physics · Sky · Visual arts · Contemporary Literature and Criticism · Hannah Arendt's Political Philosophy · Philosophy · Utopian, Dystopian, and Speculative Fiction
Studies in Ethnomethodology
Gender Advertisements
Bringing Bodies Back in
The conversion of self in everyday life
Lukacs and the Holy Family
Shelf-Life Zero
The Nobility of Failure
From‘Normal Appearances’to 'Simulation’in Interaction
Strangers to Themselves
The Life and Death of Yukio Mishima
The Interaction Order Sui Generis
The Art of the Body in the Discourse of Postmodernity
Critical Theory, Poststructuralism, Postmodernism
| Unique citing works | 6 |
|---|---|
| Citations per year | 0,19 |
| Citation span | 1995 - 2021 (27) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 6 |